Isadora Neves Marques

—CV

—Exhibitions

—Works

Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Rhizome – Network Without Center Point, 2024, group show curated by Seolhui Lee at Kunsthal Aarhus, Aarhus, DK
Rhizome – Network Without Center Point, 2024, group show curated by Seolhui Lee at Kunsthal Aarhus, Aarhus, DK
Antéfutur, 2023, group show curated by  Sandra Patron at Capc Musée d’art contemporain de Bordeaux, Bordeaux, FR
Think Tank: REPRODUCTIVE AGENTS, 2023, group show curated by Florencia Cherñajovsky at Museo MADRE, Naples, IT
Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT
Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT
Android Loop, 2023, Art Basel Hong Kong, HKECC, HK ph Michele Galeotto
Shéhérazade, at night, 2022, curated by Yoann Gourmel at Palais de Tokyo, Paris, FR
Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza
Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza
Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza
Middle Ages, 2021, installation view at Exhibition of 21 Artists shortlisted for the Future Generation Art Prize, Pinchuk Art Centre, UKR
Installation view of Medieval Bodies, 2021, curated by Luís Silva at Galerias Municipais de Lisboa, PT ph Bruno Lopes
Medieval Bodies – Meat is Not Murder, 2021, with HAUT, installation view at Liverpool Biennial 2021, curated by Manuela Moscoso, ph Rob
YWY, Visions, 2021, curated by Rosa Lleó, exhibition view at CaixaForum, Barcelona, ES
Installation view of YWY Visions, 2021, curated by Rosa Lleó at CA2M, Madrid, SP ph Sue Ponce Gomez
Linnaeus and the Terminator Seed, 2017, installation view at High Line, 2020, New York, US
Becoming Male in the Middle Ages, 2019, installation view at Castello di Rivoli (TO), Italy
It Bites Back, 2019, (featuring music by HAUT), exhibition view at Gasworks ph Andy Keate
A Mordida, 2018, exhibition view at Pérez Art Museum Miami (PAMM) curated by Jennifer Inacio.
Present Future project at Artissima, 2018. Winner of the 18th edition of the illy Pesent Future Prize. photo Renato Ghiazza
Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato
Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato
Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato
The winter of our discontent, 2016, exhibiton view at Galerie Martin Janda, Wien - photo Markus Wörgötter / The Pudic Relation Between Machine and Plant, 2016, 2 min. 30 sec., video loop, sound
The winter of our discontent, 2016, exhibiton view at Galerie Martin Janda, Wien – photo Markus Wörgötter / The Pudic Relation Between Machine and Plant, 2016, 2 min. 30 sec., video loop, sound
Terms of Use: FIT (Communal Options), 2014, exhibition view at Bienal de Cuenca, Ecuador
Terms of Use: FIT (Communal Options), 2014, exhibition view at Bienal de Cuenca, Ecuador
Postcodes, 2014, exhibition view at Casa do Povo, São Paulo, BR
Postcodes, 2014, exhibition view at Casa do Povo, São Paulo, BR
Environments, 2013, with Mariana Silva, exhibition view at e-flux, New York
Environments, 2013, with Mariana Silva, exhibition view at e-flux, New York
Monitors loop system: Fuzzy Logic I, 2013, Untitled (Sinkhole), 2013, Beams of Cathodic Rays Shooting, 2013, and Hoods Up! (Every Participant's Dream of Violence), 2012, at e-flux, New York
Monitors loop system: Fuzzy Logic I, 2013, Untitled (Sinkhole), 2013, Beams of Cathodic Rays Shooting, 2013, and Hoods Up! (Every Participant’s Dream of Violence), 2012
exhibition view at e-flux, New York
Environments, 2013, exhibition view including Chester, by Quasar Khan (1934-), at e-flux, New York
Environments, 2013, exhibition view including Chester, by Quasar Khan (1934-), at e-flux, New York
Relax, from the Aerospace Collection by Quasar Khanh (1934-), original date of design 1968, P.V.C. furniture inflated with 21st century air, installatin view at e-flux, New York
Relax, from the Aerospace Collection by Quasar Khanh (1934-), original date of design 1968, P.V.C. furniture inflated with 21st century air, installation view at e-flux, New York
The Chosen Ones, 2012, exhibition view at Galeria Pedro Cera, Lisboa
The Chosen Ones, 2012, exhibition view at Galeria Pedro Cera, Lisboa
The Integration Process, 2012, exhibition view at Parkour, Lisboa
The Integration Process, 2012, exhibition view at Parkour, Lisboa
The Economist/A Decade, 2012, magazines dated 1999-2011, cm 27x40.5 each
The Economist/A Decade, 2012, magazines dated 1999-2011, cm 27×40.5 each