Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT

Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT

Android Loop, 2023, Art Basel Hong Kong, HKECC, HK ph Michele Galeotto

Shéhérazade, at night, 2022, curated by Yoann Gourmel at Palais de Tokyo, Paris, FR

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Middle Ages, 2021, installation view at Exhibition of 21 Artists shortlisted for the Future Generation Art Prize, Pinchuk Art Centre, UKR

Installation view of Medieval Bodies, 2021, curated by Luís Silva at Galerias Municipais de Lisboa, PT ph Bruno Lopes

Medieval Bodies – Meat is Not Murder, 2021, with HAUT, installation view at Liverpool Biennial 2021, curated by Manuela Moscoso, ph Rob

YWY, Visions, 2021, curated by Rosa Lleó, exhibition view at CaixaForum, Barcelona, ES

Installation view of YWY Visions, 2021, curated by Rosa Lleó at CA2M, Madrid, SP ph Sue Ponce Gomez

Linnaeus and the Terminator Seed, 2017, installation view at High Line, 2020, New York, US

Becoming Male in the Middle Ages, 2019, installation view at Castello di Rivoli (TO), Italy

It Bites Back, 2019, (featuring music by HAUT), exhibition view at Gasworks ph Andy Keate

A Mordida, 2018, exhibition view at Pérez Art Museum Miami (PAMM) curated by Jennifer Inacio.

Present Future project at Artissima, 2018. Winner of the 18th edition of the illy Pesent Future Prize. photo Renato Ghiazza

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

The winter of our discontent, 2016, exhibiton view at Galerie Martin Janda, Wien – photo Markus Wörgötter / The Pudic Relation Between Machine and Plant, 2016, 2 min. 30 sec., video loop, sound

Terms of Use: FIT (Communal Options), 2014, exhibition view at Bienal de Cuenca, Ecuador

Postcodes, 2014, exhibition view at Casa do Povo, São Paulo, BR

Environments, 2013, with Mariana Silva, exhibition view at e-flux, New York

Monitors loop system: Fuzzy Logic I, 2013, Untitled (Sinkhole), 2013, Beams of Cathodic Rays Shooting, 2013, and Hoods Up! (Every Participant’s Dream of Violence), 2012
exhibition view at e-flux, New York

Environments, 2013, exhibition view including Chester, by Quasar Khan (1934-), at e-flux, New York

Relax, from the Aerospace Collection by Quasar Khanh (1934-), original date of design 1968, P.V.C. furniture inflated with 21st century air, installation view at e-flux, New York

The Chosen Ones, 2012, exhibition view at Galeria Pedro Cera, Lisboa

The Integration Process, 2012, exhibition view at Parkour, Lisboa

The Economist/A Decade, 2012, magazines dated 1999-2011, cm 27×40.5 each