Not titled (Circumstantial [12 coconuts]), 1971. Acrylic on unprimed canvas, coconuts, and rope, 150 x 150 x 25 cm. Installation view, Tropical Stories from Southeast Asia and Latin America, National Gallery Singapore, 2023. Image credit National Gallery Singapore.

Onceptuales. 2022, exhibition view at The Anderson, Virginia Commonwealth University, Richmond, US

Sur moderno: Journeys of Abstraction, 2019, exhibition view at MoMA, NY, US

Levanta el telón, 2017, exhibition view at LiMAC, Lima, curated by Antoine Henry Jonquères
From left to right: Eugenio Espinoza, Jon Mikel Euba, Christian Bagnat, Sandra Gamarra

Retro/retrospective 1973/2016, exhibition view at Tenerife Espacio de las Artes, Spain
photo Jaime Bravo

Retro/retrospectiva 1973/2016, performance at Tenerife Espacio de las Artes, Spain
photo Jaime Bravo

Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio
de las Artes, Spain. photo Jaime Bravo

Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio
de las Artes, Spain. photo Jaime Bravo

The Three Graces, 1977/2016, interactive installation at Tenerife Espacio de las Artes, S
photo Jaime Bravo

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl

Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl

Corpo di luce, 2017, wall painting, var.dim

Corpo di luce, 2017, wall painting, var.dim

Corpo di luce, 2017, wall painting, var.dim

Corpo di luce, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

exhibition view

The Pudic Relation Between Machine and Plant, 2016, video, color, sound, 2’30”

exhibition view

The gene series, 2017, soy based ink print, cm 46×38 each

exhibition view

exhibition view

GMO are a Direct Evolution of Botanical Expeditions to the Colonies Throughout Modern Times, 2017, installation, UV print on white latex, var.dim.

exhibition view

GMO are a Direct Evolution of Botanical Expeditions to the Colonies Throughout Modern Times, 2017, installation, UV print on white latex, var.dim.

exhibition view

GMO are a Direct Evolution of Botanical Expeditions to the Colonies Throughout Modern Times, 2017, installation detail

Learning to Live With the Enemy, 2016, video, color, sound, dur. 9′ 30”

exhibition view

exhibition view

exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Motocycles, butterflies, colors, 2016, digital print on Hahnemühle Photo Rag, paint, var.dim.

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Modernismo Chamánico (Cathedral – Pincapple – Bossa Nova), 2016, digital print on Hahnemühle Photo Rag, paint, record player, paper, vinyl, var.dim.

Modernismo Chamánico (Cathedral – Pincapple – Bossa Nova), 2016, detail

Anger, 2015, exhibition view

Terra, 2015, enigma vinyl, 3 soundtracks, vinyl and meteorites, cm 33×33

Terra, 2015, detail

Anger, 2015, exhibition view

Anger, 2015, exhibition view

Anger, 2015, exhibition view

Gliese 581m, 2015, copper etching plate, cm 27×50

Anger, 2015, exhibition view

Kepler 62h, 2015, intaglio printing on paper, cm 31×350

Kepler 62h, 2015, detail

Ears go deeper than eyes can see, 2014, exhibition view

Ears go deeper than eyes can see, 2012-2014, raw ceramic, cardboard, tape, wooden table and metal trestles, cm 72x125x160

Ears go deeper than eyes can see, 2012-2014, detail

One side and the other, 2014, stack of double-sided posters, 1000 copies, cm 50×60

La Muralla Azul, 2014, installation rubber stamp on wall, 5 exposed Sunprint papers, mediterranean sun and mediterranean water, var. dim.

La Muralla Azul, 2014, installation

La Muralla Azul, 2014, installation

La Muralla Azul, 2014, detail

For the ghosts and the raving poets, 2013, cable, light bulb, variable dimensions

For the ghosts and the raving poets, 2013, cable, light bulb, variable dimensions

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014 dia projection loop with sound – The Russian Anthem instrumental version and stamp, variable projection size

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014

Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda

Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda

Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda

Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda

Rhizome – Network Without Center Point, 2024, group show curated by Seolhui Lee at Kunsthal Aarhus, Aarhus, DK

Rhizome – Network Without Center Point, 2024, group show curated by Seolhui Lee at Kunsthal Aarhus, Aarhus, DK

Antéfutur, 2023, group show curated by  Sandra Patron at Capc Musée d’art contemporain de Bordeaux, Bordeaux, FR

Think Tank: REPRODUCTIVE AGENTS, 2023, group show curated by Florencia Cherñajovsky at Museo MADRE, Naples, IT

Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT

Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT

Android Loop, 2023, Art Basel Hong Kong, HKECC, HK ph Michele Galeotto

Shéhérazade, at night, 2022, curated by Yoann Gourmel at Palais de Tokyo, Paris, FR

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Middle Ages, 2021, installation view at Exhibition of 21 Artists shortlisted for the Future Generation Art Prize, Pinchuk Art Centre, UKR

Installation view of Medieval Bodies, 2021, curated by Luís Silva at Galerias Municipais de Lisboa, PT ph Bruno Lopes

Medieval Bodies – Meat is Not Murder, 2021, with HAUT, installation view at Liverpool Biennial 2021, curated by Manuela Moscoso, ph Rob

YWY, Visions, 2021, curated by Rosa Lleó, exhibition view at CaixaForum, Barcelona, ES

Installation view of YWY Visions, 2021, curated by Rosa Lleó at CA2M, Madrid, SP ph Sue Ponce Gomez

Linnaeus and the Terminator Seed, 2017, installation view at High Line, 2020, New York, US

Becoming Male in the Middle Ages, 2019, installation view at Castello di Rivoli (TO), Italy

It Bites Back, 2019, (featuring music by HAUT), exhibition view at Gasworks ph Andy Keate

A Mordida, 2018, exhibition view at Pérez Art Museum Miami (PAMM) curated by Jennifer Inacio.

Present Future project at Artissima, 2018. Winner of the 18th edition of the illy Pesent Future Prize. photo Renato Ghiazza

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

The winter of our discontent, 2016, exhibiton view at Galerie Martin Janda, Wien – photo Markus Wörgötter / The Pudic Relation Between Machine and Plant, 2016, 2 min. 30 sec., video loop, sound

Terms of Use: FIT (Communal Options), 2014, exhibition view at Bienal de Cuenca, Ecuador

Postcodes, 2014, exhibition view at Casa do Povo, São Paulo, BR

Environments, 2013, with Mariana Silva, exhibition view at e-flux, New York

Monitors loop system: Fuzzy Logic I, 2013, Untitled (Sinkhole), 2013, Beams of Cathodic Rays Shooting, 2013, and Hoods Up! (Every Participant’s Dream of Violence), 2012
exhibition view at e-flux, New York

Environments, 2013, exhibition view including Chester, by Quasar Khan (1934-), at e-flux, New York

Relax, from the Aerospace Collection by Quasar Khanh (1934-), original date of design 1968, P.V.C. furniture inflated with 21st century air, installation view at e-flux, New York

The Chosen Ones, 2012, exhibition view at Galeria Pedro Cera, Lisboa

The Integration Process, 2012, exhibition view at Parkour, Lisboa

The Economist/A Decade, 2012, magazines dated 1999-2011, cm 27×40.5 each

Running the fields make some noise, 2017, performance with Giuseppe Stampone, Fondazione Malvina Menegaz, Castelbasso (TE)

European Alternatives.Terzo tempo/Overtime, 2017, MAXXI Museum, Roma

There is No Place Like Home, 2016, exhibition view at Approdo fluviale, Lungotevere San Paolo, Rome

Horizontal, exhibition view at Casa Italia Rio 2016 curated by Beatrice Bertini, Rio de Janeiro

we can’t wait, 2016, with Massimiliano Piluzzi, exhibition view at Quirinetta Caffè, Rome

nè qui nè altrove, 2016, with Giuseppe Pietroniro, exbition view at Palazzo Bevilacqua Ariosti, Bologna, I

dodici stanze, 2015, exhibition view at CIAC – Colonna Castle – Genazzano, Roma

Due o tre cose che so di lei, 2014, curated by Claudio Libero Pisano, exhibition view at Villa Medici, Roma, I

Time Being Time, 2014, exhibition view at Museum of Contemporary Art of Republic of Srpska

A Line describe a Surface. Cosa succede, 2013, exhibition view at Museion, Bolzano

Re–generation, 2012, installation view at Macro Testaccio, Roma
photo Giorgio Benni

Extra Spirito, 2012, installation view at Palazzo Baldassini, Roma

Né qui nè altrove, 2012, exhibition view with Giuseppe Pietroniro
at Museo C.H.Andersen, Roma

Unfamiliar idea of Rome, 2011, installation view at American Academy in Rome
photo Davide Franceschini

Reading Room, 2010, installation view at Nomas Foundation, Roma

Mutiny Seemed a Probability, 2010, installation view at Fondazione Giuliani, Roma
photo Claudio Abate ©- Giuliani Collection

Menstruum, 2024, solo exhibition at Galeria Pedro Cera, Lisbon, PT ph Bruno Lopes

Menstruum, 2024, solo exhibition at Galeria Pedro Cera, Lisbon, PT ph Bruno Lopes

Ninguém. Só eu, 2022, curated by Antonia Gaeta exhibition view at Centro arte de Oliva, ph Dinis Santos

Ninguém. Só eu, 2022, curated by Antonia Gaeta exhibition view at Centro arte de Oliva, ph Dinis Santos

Agar, 2019, exhibition view at Galeria do Paco/ Universidade do Minho, Braga, photo credit Dinis Santos

Agar, 2019, exhibition view at Galeria do Paco/ Universidade do Minho, Braga, photo credit Dinis Santos

Eye Massage, 2018, exhibition view at Pedro Cera Gallery. photo Bruno Lopes

Yo – Yo, 2017, exhibition view at Contemporary Gallery of Serralves Museum, Porto, P. Fotos Filipe Braga, © Fundação de Serralves, Porto

Yo – Yo, 2017, exhibition view at Contemporary Gallery of Serralves Museum, Porto, P. Fotos Filipe Braga, © Fundação de Serralves, Porto

In order of appearance, 2017, exhibition view at Galeria Pedro Cera, Lisbon, P

Magicians’ Right Hand, 2016, curated by Markéta Stará Condeixa, exhibition view at FUTURA, Prague, CZ

menthol 2016, exhibition view with Pedro Henriques, Ar sólido, Lisbon

2015, group show at Schwarz Contemporary, Berlin

Correr à volta, 2015, walls and ceiling, Capo d’Orlando beach stones on ruins,
mural view at La Stanza della Seta, Museo Lucio Piccolo, Ficarra, Sicily, I

Through painting, 2015, exhibition view with Marc Breslin at Fondazione Rivolidue, Milano

Through painting, 2015, exhibition view at Fondazione Rivolidue, Milano

wet wet sunset ear on a wall, 2015, exhibition view with Johana Pošova, Syntax, Lisbon, P

Somos nada / Concha relógio, 2015, chalk on wall

Sereia, 2014, exhibition view at Museu Nogueira da Silva, Braga, Spain

Z, 2013, exhibition view at Galeria Pedro Cera, Lisboa

Gothic, 2012, group show at Parkour, Lisboa

Crystal Frontier, 2012, exhibition view at Enblanco Projektraum, Berlin

The sun dies soon, 2009, exhibition view at Pavilhão Branco, Lisboa

West, 2023, exhibition view at MANN – Museo Archeologico Nazionale di Napoli, Naples, IT

Rivoluzioni, 2022, exhibition view at BASE / Progetti per l’arte, Firenze, IT ph Leonardo Morfini,

Il Corsaro Nero e la vendetta del Gavi – Una mostra, una performance, un’installazione, 2019, curated by Ilaria Bonacossa, exhibition view at Forte di Gavi, IT

Panorama, 2017, exhibition view at Fotomuseum Winterthur CH

Panorama, 2016, exhibition view at Camera, Torino, curated by Francesco Zanot

American Recordings, 2015, film, HD, 20′, installation view at Castello di Rivoli, Torino

American Recordings, 2015, film, HD, 20′, installation view at Castello di Rivoli, Torino

La notte del Drive in: Milano spara, 2013, ex shed Alfa, Milano, Italy

La notte del Drive in: Milano spara, 2013, film 38′

Venezia/The Precursors Lagacy, 2013, Casa dei Carraresi, Treviso

Prado:Spectaculum Spectatoris,2011,video installation at Museo Nacional del Prado,Madrid

The Morocco Affair. New Entries!, 2009–2010, exhibition view at Museion, Bolzano

I can see your house from here, 2009, Museion at the Eurac Tower, Bolzano

The Room. Da Guarene all’Etna 1999–2009, Fondazione Sandretto Re Rebaudengo,
Guarene d’Alba

Secret Traces, 2009, exhibition view at Universitad de Colombia, Bogotà

vedovamazzei, 2021, exhibition view at Palazzo Brancadoro – Case Museo di Fermo, Fermo, IT ph Francesca Renzi

vedovamazzei, 2021, exhibition view at Palazzo Brancadoro – Case Museo di Fermo, Fermo, IT ph Francesca Renzi

Black & Lights, 2019, exhibition view at Base | Progetti per l’arte, Firenze, IT

vedovamazzei presenta Boccioni, 2018, neon light, cm 710×178, Public Work at Cittadella degli Archivi, Milano

After After Love, 2017, Da Duchamp A Cattelan. Arte contemporanea sul Palatino, Roma

UN united nothing(Srebrenica quote 1994),2015,site specific at Certosa di S.Giacomo,Capri

La fine di un lavoro mai fatto, Non basta ricordare, 2014, performance at Maxxi Museum, Roma

One too many (3) 18 years later, performances 1996/2011/2014, Paris

No necesita suerte, 2012, exhibition view at Istituto Italiano de Cultura, Madrid

Ash, 2011, mixed ash, oil on glass and paper, cm 37,5 x 31 x 5, cm 37,5 x 38 x 5

Exhibition view Dublin Contemporary 2011, curated by Jota Castro and Christian Viveros – Photo Renato Ghiazza

Next to normal, 2010, neon light, black paint, cm 139 x 250

Wireless, 2008, 50 neon lights, cm 600 x 220
Collection MAMBO Bologna

After love, 2003, mixed media, cm 760 x 680 x 380
Public Art Project, 2007, Art Basel

Greatest hits, 2006, exhibition view at Museo MADRE, Napoli

Communist’s laugh, 2007, charcoal on paper, cm 210 x 300 – cm 165 x 261

They want to be Famous, 2008, divano, luce al neon, cm 190 x 90 x 85

Go whereever you want, bring me whatever you wish, 2000 – GAM, Torino – articulated lorry, wood, rubber, water plants, water lilies, boat, oars, wooden pier, aluminium ladder, cm 400 x 1675 x 250

Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT

Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT

Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT

VERTIGINE, 2022, Installation view Museo d’arte contemporanea Burel, Belluno, IT Ph Francesco Titton.

Do Animals Go To Haeven, 2022, works from Collezione Agovino, installation view at Chiesa del Purgatorio, Matera, IT

Installation view at Liverpool Biennial 2021, curated by Manuela Moscoso ph Rob

Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes

Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes

Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes

Fruits and Flowers, 2018, exhibition view at Vera Cortês gallery, Lisbon. photo Bruno Lopes

Ways of the land, 2017, exhibition view at Maisterravalbuena, Lisboa
curated by João Mourão and Luís Silva, photo: Bruno Lopes

The monster dresses in Mirrors, exhibition view at Syntax, Lisbon

The monster dresses in Mirrors, 2016, detail, exhibition view at Syntax, Lisbon

Magicians’ Right Hand, 2016, curated by Markéta Stará Condeixa, exhibition view at FUTURA, Prague, CZ

Beauty Codes (order/disorder/chaos) – Act II, 2015
exhibition view with works by André Romão, Jacopo Miliani and Haris Epaminonda at Kunsthalle Lissabon, Lisbon, P. Photo: Bruno Lopes

Beauty Codes (order/disorder/chaos) – Act II, 2015
exhibition view at Kunsthalle Lissabon, Lisbon, P. Photo: Bruno Lopes

Ficarra_Contemporary Divan, 2015,exhibition view at Palazzo Milio, Ficarra, ME, I

Restless, 2015, exhibition view at Vera Cortês Gallery, Lisbon, P

Iron, Flesh, Abstraction, 2015, installation view at The Green Parrot, Barcelona

Dead Blink 2014, temporized slide projection, installation view at MACRO, Roma
© Luis do Rosario

Bes Revelação, 2013, exhibition view at Serralves Museum, Oporto

The Dancing Plague, 2012, exhibition view at Parkour, Lisboa

The Myth of Violence_Europa, 2012, installation view at Parkour, Lisboa

The Vertical Stage, 2010, exhibition view at Bethanien, Berlin, photo David Brandt

A curtain of smoke/ marble and glass, 2010, with Pedro Neves Marques
exhibition view at Museu da Electricidade, Lisboa

The Vertical Stage, 2010, exhibition view at Serralves Museum, Oporto
photo Filipe Braga

The Winter of (our) Discontent, 2010, exhibition view at Kunsthalle Lissabon, Lisboa
photo Bruno Lopes

Informal Inclusion, 2024, Italian Pavilion at malta.biennale, curated by Francesca Guerisoli and Nicolas Martino at Villa Portelli, Kalkara, MT photo Lorenzo Morandi

Informal Inclusion, 2024, Italian Pavilion at malta.biennale, curated by Francesca Guerisoli and Nicolas Martino at Villa Portelli, Kalkara, MT photo Lorenzo Morandi

ATOPOS, 2023, solo exhibition curated by Lucrezia Longobardi at The Drawing Hall, Bergamo, IT ph Walter Carrera

ATOPOS, 2023, solo exhibition curated by Lucrezia Longobardi at The Drawing Hall, Bergamo, IT ph Walter Carrera

MARSHY, 2022, site-specific environmental artwork, winner of the 20th Ermanno Casoli Prize curated by Marcello Smarrelli, Castelfidardo, IT

MARSHY, 2022, site-specific environmental artwork, winner of the 20th Ermanno Casoli Prize curated by Marcello Smarrelli, Castelfidardo, IT

Do Animals Go To Haeven, 2022, group show with works from Collezione Agovino, exhbition view at Chiesa del Purgatorio, Matera, IT ph Danilo Donzelli

MARGINAL CARILLON, 2023, Eugenio Tibaldi and Taketo Gohara, curated by Irina Zucca Alessandrelli, BASE Milano, Milan, IT

Temporary Landscape, Erbari, Mappe, Diari, 2021, curated by Marco Scotini at PAV – Parco d’Arte Vivente ph Agostino Osio

Temporary Landscape, Erbari, Mappe, Diari, 2021, curated by Marco Scotini at PAV – Parco d’Arte Vivente ph Agostino Osio

Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT ph Lorenzo Morandi

Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT

Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT ph Lorenzo Morandi

Anthropogenic Connection, 2020, curated by Meskerem Assegued and Adriana Rispoli, Zoma Museum with the support of Italian Cultural Institute of Addis Ababa

Notturno con figura Primo corollario sulla vibrazione, 2020, curated by Lucrezia Longobardi exhibition view at La Galleria Nazionale d’Arte Moderna e Contemporanea, Roma, IT ph Anton Giulio Onofri

Notturno con figura Primo corollario sulla vibrazione, 2020, curated by Lucrezia Longobardi exhibition view at La Galleria Nazionale d’Arte Moderna e Contemporanea, Roma, IT ph Anton Giulio Onofri

Giardino abusivo, 2019, installation view at Museo del Novecento, winner of After Leonardo Prize, Milano, IT  ph  U. Armiraglia

Giardino abusivo, 2019, installation view at Museo del Novecento, winner of After Leonardo Prize, Milano, IT  ph  U. Armiraglia

30 Years Old, a project of Eugenio Tibaldi, 2019, realized by Istituto Italiano di Cultura di Tirana in collaboration with l’Università delle Arti and Harabel Contemporary Art Platform, Galleria FAB, Tirana, AL

Più là che Abruzzi, 2019, exhibition view at MuMi – Museo Michetti, Francavilla al Mare CH curated by Simone Ciglia, ph credit Gino Di Paolo

Inclusio, 2018, exhibition view at Centro Italiano di Documentazione sulla Cooperazione e l’Economia Sociale, Bologna, I

Hämatli & Patriæ, 2017, exhibition view at Museion-museo d’arte moderna e contemporanea, Bolzano, curated by Nicolò Degiorgis

Flatlands, 2017, exhibition view at Museum of Contemporary Art & Design, Manila, Philippines

Now Here is Nowhere Sei Artisti della American Academy in Rome, 2017, exhibition view with Jackie Saccoccio at Istituto Italiano di Cultura, New York

Architettura minima, 2016, exhibition view at Palazzo Caracciolo, Napoli
photo A.Benestante

Seconda chance, 2016, exhibition view at MEF_Museo Ettore Fico, Torino – photo_bg

Seconda chance, 2016, exhibition view at MEF_Museo Ettore Fico, Torino – photo_bg

New Informal Museum’s Room, 2016, exhibition view at Complesso Monumentale del S.Giovanni, Catanzaro, I

Capri B&B-Behind and Beyond,2016,exhibition view at Certosa di San Giacomo, Capri, I

questione d’appartenenza, 2016, Museo Madre, Napoli

The identity of concrete, 2015, original projects on tracing paper of the Mondadori cut and sewed, cm 260x350x15, on loan to Museo Madre, Napoli, I, (Per_forming a collection #4)

Cuba Informal Poker Room, 2015, performance at Bienal de La Habana, Cuba

Geografia economica 011, 2014, exhibition view at Galleria d’Arte Contemporanea “Osvaldo Licini”, Ascoli Piceno, Italy – photo Pierluigi Giorgi

Economy Expressway, 2009, paint, fotogrammetria satellitare, m 2,02 x 12
installation view at Metro Napoli

El Modernismo y sus descontentos, 2024, solo show at Fundación Andreani, Buenos Aires, AG Courtesy Fundación Andreani ph Augusto Zanela

El Modernismo y sus descontentos, 2024, solo show at Fundación Andreani, Buenos Aires, AG Courtesy Fundación Andreani ph Augusto Zanela

El Modernismo y sus descontentos, 2024, solo show at Fundación Andreani, Buenos Aires, AG Courtesy Fundación Andreani ph Augusto Zanela

BIENALSUR 2023 Km 393 Museo Municipal de Artes Visuales Sor Josefa Díaz y Clucellas (Santa Fe, ARG) Time in Things. ©Aime Luna – Courtesy: Cultura de Santa Fe.

Amazonia, 2021, installation view at Centro Andaluz de Arte Contemporanea, Sevilla, ES / 2023, Pratt Manhattan Gallery, New York, NY, US

Frammenti di Paradiso, 2017, group exhibition from Collezione Agovino, Naples, IT

Geopolíticas Transversales, 2016, exhibition view at Foto Monumental, Callao, Perù

Latin American Art Museum, Department of Parrots, 2015, exhibition view at Jenielift, Miami

Theorem, 2015, exhibition view at Mana Contemporary, Jersey City, USA curated by Octavio Zaya

Encontro de Mundos, 2014, exhibition view at Museu de Arte do Rio de Janeiro, Brazil, curated by Paulo Herkenhoff

Disassembling Paradise, 2013, exhibition view at KaBe Gallery, Miami, USA

Paradise: real time, 2010, Ikon Gallery Eastside, Birmingham, UK

Paradise in the New World, 2008, installation view at LWL, Munster, D

Dark Forest (Selva Oscura), 2008, installation view at LWL, Munster, D

Dark Forest (Selva Oscura), 2008, detail

Tropicalounge, 2006 – exhibition view at Palais de Tokyo, Paris, F

Tropicalounge, 2006 – exhibition view at Palais de Tokyo, Paris, F

Always a little further, 2005, exhibition view at 51st international Art Exhibition, Biennale di Venezia, curated by Rosa Martínez

Orogenesi, 2024, installation view of the solo exhibition curated by Andrea Lerda at Museomontagna, Turin, IT ph Maria Chiara Piglione

Orogenesi, 2024, installation view of the solo exhibition curated by Andrea Lerda at Museomontagna, Turin, IT ph Maria Chiara Piglione

Pittura Italiana, 2023, installation view at Triennale Milano, Milan, IT

Enigma della Materia, 2023, Mosaic, donated by the artist to the city on the occasion of PANORAMA L’Aquila. ph Danilo Donzelli

The Mountain Touch, 2022, group show curated by Andrea Lerda, installation view at Museo della Montagna, Turin, IT

The Mountain Touch, 2022, group show curated by Andrea Lerda, installation view at Museo della Montagna, Turin, IT

Oltre ogni ragionevole dubbio, 2017, exhibition view at Real Academia de España, Roma

Oltre ogni ragionevole dubbio, 2017, exhibition view at Real Academia de España, Roma

CosmicaMente, 2015, curated by Laura Cherubini, exhibition view at MACRO Testaccio Roma

CosmicaMente, 2015, curated by Laura Cherubini, exhibition view at MACRO Testaccio Roma

GeograficaMente, 2015, exhibition view at Mart Rovereto, Trento, Italy

Paesaggi della mente, 2014 exhibition view at Fondazione Menegaz, Castelbasso, Italy

Paesaggi della mente, 2014 exhibition view at Fondazione Menegaz, Castelbasso, Italy

In water, I understand, 2013, collateral event at the 55th International Art Exhibition, la Biennale di Venezia

Realtà parallele,2012,exhibition view at GNAM,Galleria Nazionale d’Arte Moderna,Roma
photo Sebastiano Luciano

Realtà parallele,2012,exhibition view at GNAM,Galleria Nazionale d’Arte Moderna,Roma
photo Sebastiano Luciano

Venticinque minerali blu, 2005, installation view at Università Bocconi, Milano

Coscienza Eterea, 2011, installation view at Dublin Contemporary 2011
photo Renato Ghiazza

Separate and Complex Bodies, Sophisticated Interactions, and Unfathomable Lives, 2023, KCI | Kansas City International Airport

You Still Make Me Tremble, 2021, installation view at MMoCA, Madison Museum of Contemporary Art, US

The Wandering Rocks, 2020, site-specific project at MMoCA, Madison, Wisconsin, US

Gos Sa Mer:2012, exhibition view with Ester Partegàs at The Lynden Sculpture Garden, Milwaukee

The Outhouse, 2011, exhibition view at Green Gallery East, Milwaukee

En la bruma de lavanda, 2011, exhibition view at Galeria Labor, Mexico

7 Variation On You Can’t Always Get What You Want with Martin Ayos, 2010
exhibition view at Salina Art Center, Salina, Kansas

Pleathers, 2010, exhibition view at Huret Gallery, Emerson College, Boston

Whose_afraid_of_red,yellow,blue_ELECTIONEERING(an_anarchist_a_communist_and_a_
social_conservative) 2009, installation view at Fort Worth Art Center Texas

The black car and green waters of Lethe, 2008, exhibition view at LOOCK Galerie, Berlin

On site: Santiago Cucullu (MF Ziggurat), 2008, installation view at Milwaukee Art Museum

Architectonic vs. H.R., 2006, installation view of the exhibition “New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions” at MoMA – The Museum of Modern Art, New York, US
Photo Jonathan Muzikar

Installation view of Whitney Biennial 2004 (Whitney Museum of American Art, New York, May 11, 2004–May 30, 2004). Santiago Cucullu, Untitled, 2004. Photograph by Jerry L. Thompson

Entrance into Otherwise aka Otherwise Enter 2002, Installation view at Walker Art Center, Minneapolis

En Orden de Aparición: Peruvian and Latin American Art of the Hochschild Collection, 2019, exhibition view at Real Academia de Bellas Artes de San Fernando Madrid Spain

Sacrosanctum, 2016, exhibition view at Oratorio di San Mercurio, Palermo, I

Emergency Pavilion: Rebuilding Utopia, collateral event at 55 International Art Exhibition la Biennale di Venezia, photo Renato Ghiazza

Us, 2011, installation view at Dublin Contemporary 2011

Tricky 09, 2011, balloons, barbed wire

Kerigma, 2010, installation view at Museo MADRE, Napoli
photo Amedeo Benestante

The Fear Society, Pabellón de la Urgencia. Murcia, 53 International Art Exhibition
la Biennale di Venezia

Because the life, 2008, legno, plexiglass, foto, cm 42x163x15

Biblioteca 01, 2008, legno, plexiglass, carta, cm 155x95x30

Brains, 2005, Exposition Universelle 1, Palais de Tokyo, Paris

Discrimination day, 2005, Exposition Universelle 1, Palais de Tokyo, Paris

The Bridge, 2004, exibition view at Théâtre National de Bretagne, Rennes

Through painting, 2015, exhibition view at Fondazione Rivolidue, Milano

Through painting, 2015, exhibition view at Fondazione Rivolidue, Milano

Untitled, 2015, acrylic on vinyl and paper, cm 183×117

Lampshared, 2013
Lampshared are the result of an intervention I did at ikea where I assembled lampshades into sculptures, placed some on cardboard bases, arranged them and photographed them until I was asked to leave the store. Their connection to some ideas I work through, light/illumination through painting and photography, questioning what installation art is, reworking street art, thinking about modernism a strange way to think of appropriation and site-specific work

Bougainvillea in January, 2012, with David Breslin, Emily Harvey Foundation, New York

Bougainvillea in January, 2012, detail

Marco Raparelli, vedovamazzei, exhibition view

Marc Breslin, Marco Raparelli, vedovamazzei, exhibition view

Marco Raparelli, I like to work site specific, mixed media on wall, cm 31 x 29

Marinella Senatore, Luca Francesconi, exhibition view

Luca Francesconi, Marinella Senatore, exhibition view

Marinella Senatore, Estman Radio Drama, 2011, sound, photo b/w, cm 45 x 30 each

Luca Francesconi, Prepotenza di Eclisse, 2011, Eco della Luna, 2011

Luca Francesconi, Marc Breslin, Marco Raparelli, exhibition view

Marco Raparelli, Marc Breslin, Jota Castro, exhibition view

Santiago Cucullu, Jota Castro, exhibition view

Eugenio Tibaldi, Santiago Cucullu, exhibition view

Eugenio Tibaldi, Santiago Cucullu, Jota Castro, exhibition view

Marco Raparelli, Marc Breslin, Santiago Cucullu, exhibition view