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<<The biannual Future Generation Art Prize is the only prize for the young generation of artists with a global dimension and guided by an open, free, and democratic application process (online).

Selected from over 11.700 entries by artists across almost 200 countries, the final list incluedes 21 artists and artist collectives, spanning five continents>>

Future Generation Art Prize

5th Moscow International Experimental Film Festival

19–25 August 2020
The jury of the International competition included V-A-C foundation curator Maria Kramar and artist Kirill Savchenkov.

The jury rewards The Bite by Pedro Neves Marques “for addressing the topic of proximity in the clash of politics of nature, technology and gender”.

MIEFF2020

A Mordida (The Bite), Pedro Neves Marques, Portugal 2019

In this quasi-science fiction, we cross an unreal universe where sounds and textures blend with the fluidity of the characters and the construction of the drama. An abstruse film that, unintentionally, becomes extra relevant in these times of pandemic and is helmed by a filmmaker who never reveals all the secrets. The jury was intrigued to discover this world where love persists and reproduces itself in logics that seem to contradict the binary thinking applied to nature.

ShortWavesPZ

A site-specific project for MMoCA

6 August 2020 – 1 August 2022

MMoCA – Madison Museum of Contemporary Art, 227 State St, Madison, WI 53703, US

Santiago Cucullu, The Wandering Rocks, 2020. Digital inkjet print, and stoneware vessels, dimensions variable. Courtesy the artist, Galleria Umberto Di Marino and The Alice Wilds

The destroyer of statues falls into a spell

16 — 30 July 2020

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Visto da qui_A.Romão_dossier

Dal momento che la salute dei visitatori e dello staff è la nostra assoluta priorità l’ingresso sarà permesso ad un massimo di due persone per volta e previo appuntamento, osservando il distanziamento sociale e tutte le misure sanitarie.
Prenota la tua visita:
chiama +39 081 0609318
invia una mail a info@galleriaumbertodimarino.com
scrivici suFacebook

As the health of our visitors and team is a top priority for us only two visitors at a time will be allowed to enter the exhibition space, observing social distancing and all hygiene measures, and by appointment.
Book your visit on:
phone: +39 081 0609318
email: info@galleriaumbertodimarino.com
Facebook

Aftershock

30 June — 11 July 2020

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Visto da qui_project ITA Visto da qui_project ENG

Visto da qui_E.Espinoza_dossier

Dal momento che la salute dei visitatori e dello staff è la nostra assoluta priorità l’ingresso sarà permesso ad un massimo di due persone per volta e previo appuntamento, osservando il distanziamento sociale e tutte le misure sanitarie.
Prenota la tua visita:
chiama +39 081 0609318
invia una mail a info@galleriaumbertodimarino.com
scrivici suFacebook

As the health of our visitors and team is a top priority for us only two visitors at a time will be allowed to enter the exhibition space, observing social distancing and all hygiene measures, and by appointment.
Visits can be scheduled by
phone: +39 081 0609318
email: info@galleriaumbertodimarino.com
Facebook

Guardiano delle acque

11 — 24 June 2020

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Visto da qui_project ITA Visto da qui_project ENG

Visto da qui_L.Francesconi_dossier

Dal momento che la salute dei visitatori e dello staff è la nostra assoluta priorità l’ingresso sarà permesso ad un massimo di due persone per volta e previo appuntamento, osservando il distanziamento sociale e tutte le misure sanitarie.
Prenota la tua visita:
chiama +39 081 0609318
invia una mail a info@galleriaumbertodimarino.com
scrivici su Facebook

As the health of our visitors and team is a top priority for us only two visitors at a time will be allowed to enter the exhibition space, observing social distancing and all hygiene measures, and by appointment.
Visits can be scheduled by
phone: +39 081 0609318
email: info@galleriaumbertodimarino.com
Facebook

Opening: Thursday 24 September 2020 from 4pm to 9:30pm
until 8 November 2020

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Abstract ITA Abstract ENG

PNM_Autofiction_dossier

Connection gallery
ciclo espositivo a cura di Massimo Mininni

Carlo e Fabio Ingrassia Eugenio Tibaldi
Notturno con figura Primo corollario sulla vibrazione

a cura di Lucrezia Longobardi

conferenza stampa lunedì 3 febbraio 2020 ore 12.00
inaugurazione lunedì 3 febbraio 2020 ore 18.30 – 20.30
apertura al pubblico 4 febbraio 2020 – 13 aprile 2020

Galleria Nazionale d’Arte Moderna e Contemporanea, viale delle Belle Arti 131, Roma

PRESS RELEASE

a group show at MAMbo – Museo d’Arte Moderna di Bologna
with  Ed Atkins, Luca Francesconi, Apostolos Georgiou, Ragnar Kjartansson, Susan Philipsz, Cally Spooner, and Apichatpong Weerasethakul.

curated by Lorenzo Balbi

22 January – 3 May 2020

MAMbo, Sala delle Ciminiere, Bologna, IT

Pedro Neves Marques

Linnaeus and the Terminator Seed

January 9 – March 3, 2020

On the High Line at 14th St.

Residence of André Romão at Gasworks

6 JAN – 23 MAR 20

André Romão, Flores, 2019. Installation view, Garcia Galeria, Madrid, 2019. Courtesy of the artist. Photo: Roberto Ruiz.

We’re pleased to announce the participation of
Pedro Neves Marques and André Romão at

Liverpool Biennial 2020
The Stomach and the Port
curated by Manuela Moscoso
11 July – 25 October 2020
Various locations, Liverpool,UK

a group show curated by Christiane Rekade

07 marzo – 14 giugno 2020

KUNST MERAN, Via Portici, 163, 39012 Merano BZ, IT

Francesca Grilli, L’oblio dell’aria – Photo @ Fondazione Teatro Metastasio di Prato – Simone Ridi.

Opening : Tuesday 11 February 2020 from 7pm to 9,30pm
until 31 May 2020

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ph Danilo Donzelli

group show curated by
Sarah Ancelle Schönfeld and Ashkan Sepahvand

9 November – 21 December 2019

galerie weisser elefant, Auguststr. 21, Berlin

Works from the Ernesto Esposito’s collection Some People

curated by Andrea Busto

25 September 2019 – 26 January 2020

Museo Ettore Fico, Via Francesco Cigna 114, Torino, Italy

15 – 16- 17- November 2019

Taidekoti Kirpilä, Pohjoinen Hesperiankatu 7 (6th floor), Helsinki

Pedro Neves Marques in collaboration with HAUT
Becoming Male in the Middle Ages
illy Present Future Prize 2018 Exhibition
curated by Marianna Vecellio

1 November 2019 – 23 February 2020

Castello di Rivoli, Museum of Contemporary Art

Piazza Mafalda di Savoia, Rivoli – Torino

Pedro Neves Marques_Dossier

Disegni Section
curated by João Mourão and Luís Silva

Ana Manso

Hall DS | Booth 15

Friday November 1 – Sunday November 3 from 12 to 8 p.m.
Preview and Vernissage on 31 October (upon invitation only)
Oval – Lingotto Fiere – Via Giacomo Mattè Trucco, 70 – Torino

A.Manso_Dossier opere dispobibili@Artissima2019

group show curated by Cristina Ramos

30 October 2019 – 2 February 2020

Etopia Centro de Arte y Tecnología, Zaragoza, Spain

a solo show

Opening 26 October 2019, 12pm to 8 pm

from 26 Octobet to 13 December 2019

Ex Elettrofonica, Vicolo Sant’Onofrio, 10, Roma

group show curated by
Maria Stella Bottai, Lorella Scacco, Pirjo Immonen

26 October 2019 – 29 March 2020

Serlachius Museum, Gösta – Finland

group show curated by

Massimo Osanna and Dimitri Athanasoulis

10 October 2019 – 19 January 2020

Scuderie del Quirinale, Roma

30 September 2020

Aquapetra Parco D’Arte e Collezione Agovino
in collaboration with Galleria Umberto Di Marino

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curated by
Andrea Carlino, Philippe Comar, Anna Luppi, Vincenzo Napolano, Laura Perrone

22 ottobre 2019 – 6 gennaio 2020

Palazzo delle Esposizioni, Via Nazionale, 194, 00184 Roma RM

21 ottobre 2019 – marzo 2020

MoMA, 11 West 53 Street, Manhattan, New York

Winner of the “After Leonardo” award Milano

20 September 2019 – 12 January 2020
Opening 19 September 2019, 6pm

Museo del Novecento, Piazza Duomo 8, Milano

3 – 6 October 2019

Projection section, 57th New York Film Festival, NYC

a group show curated by Maria Dialektaki

opening Thursday 26th September 2019

26 September / 5 October 2019

Snehta Residency Ioannou Drosopoulou 47, Kypseli, 11257 Atene

opening Friday 27 September 2019 – 6,30pm

27 September / 20 October 2019

Base / Progetti per l’arte / Via San Niccolo 18r / Firenze

as part of curated by 2019: Circulation
Opening 12 September 2019, 6pm – 9pm

13 September – 12 October 2019 Felix Gaudlitz,Werdertorgasse 4/2/13, Vienna

6 September 2019

Wavelengths, Toronto International Film Festival, Toronto

group show curate by Arianna Rosica and Gianluca Riccio
Opening 14 September 2019, 6,30pm

15 September – 27 October 2019 Casa rossa, Anacapri/Capri

group show with special project of vedovamazzei
curated by Lorenzo Bruni

19 June – 25 September 2019 Galleria Frediano Farsetti, Milano

12 September – 9 November 2019

García Galería, Madrid, Spain

20 October – 21 November 2019

Kinshasa, Congo

Boiling Project group show curated by Filippo Maggia
Opening 21 September 2019, 7,30pm

21 September – 10 November 2019

Cuba Pavilion
58th International Art Exhibition, La Biennale di Venezia

Entorno aleccionador | A Cautionary Environment

11 May – 24 November 2019

San Servolo Island, Venezia

11 – 13 October 2019

Dossier delle opere esposte e disponibili / Dossier of exhibited and available works

Ingresso Re Teodorico – viale dell’Industria – Verona

Ana Manso
31 October – 3 November 2019

Oval – Lingotto Fiere – Via Nizza 280/294 – Torino

[Online] Visto da qui_Vettor Pisani | Edipetto bambino perfetto

20 – 26 May 2020

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Edipetto bambino perfetto

10 – 24 September 2019

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Visto da qui_Vettor Pisani_Images

books and catalogues

I giuochi della memoria e dell’oblio, with texts by Giovanna Genovese and Mimma Pisani, Galleria Umberto Di Marino, 1999

Trevi Flash Art Museum of Contemporary – Meglio un asino vivo che un artista morto, curated by Angelo Capasso, a text by Maya Pacifico, a poem by Mimma Pisani, 2002, Pio Monti Roma

Tirannicidi (il disegno), curated by Luigi Ficacci, 2000, Istituto Nazionale per la Grafica, Roma

Vettor Pisani Eroica / Antieroica Una monografia, curated by Laura Cherubini, Electa, 2016

reviews

Flash Art – febbraio – marzo 2000, pag. 122 – Recensione di Maya Pacifico

Tema celeste n° 78 / 2000, pag 115, recensione di Salvatore Lacagnina

Arshake | Vettor Pisani. Una finestra sul mondo, a review by Antonello Tolve, 2016

BLARCO.com | blog arte contemporanea: EROICA/ANTIEROICA al MADRE, una retrospettiva dedicata a Vettor Pisani

Vettor Pisani: deriva mi(s)tica di un immaginario | Artribune –  a reivew by Sonia D’Alto

exhibitions and works

Napoli Borderline — group show — 6 December 2001

Vettor Pisani — Luca Francesconi — Mascaret — 31 March 2017 — spazio maria calderara — Milano

Vettor Pisani Eroica / Antieroica: una retrospettiva – 21.12.2013 — 24.03.2014 – curated by Andrea Viliani and Eugenio Viola

Giuochi della memoria e dell’oblio – other works

Comments and feedback on Visto da qui project

Interview on Exibart – Umberto Di Marino about Visto_da_qui, 2019

A reflection by Eugenio Tibaldi for Visto da qui

Comments by Marianna Agliottone on Visto_da_qui

Satoshi Hirose on Hidetoshi Nagasawa

Comments of Sgomento Comics (Matteo Pomati and Marco Pio Mucci) on their first meet with Marcello Jori

A tought by Nicoletta Daldanise on Visto_da_qui

A shot from our personal archive

languages games
group show curated by Jo Melvin

18 May – 18 June 2019

FRANCA, Via Intorno Fosso, 41, Cannara (PG)

BienNoLo | 1st NoLo Biennial

17 – 26 May 2019

Art City Lab, Ex Laboratorio Panettoni Giovanni Cova Via Popoli Uniti 11, Milano

Ponto de Fuga | Vanishing Point

works from António Cachola Collection
curated by João Laia

15 May – 1 September 2019

Galeria Municipal Cordoaria Nacional, Lisboa

The Pool NYC. Notturno Più
group show curated by Giacinto Di Pietrantonio

8 May – 15 June 2019

Palazzo Cesari Marchesi, Campo Santa Maria del Giglio, Calle Rombiasio 2539, Venezia

The contest proclaimed by the Comune di Milano|Cultura and organized in collaboration with the Ministero per i Beni e le Attività Culturali with the Regione Lombardia on the occasion of the 5th centenary celebrations of the Leonardo da Vinci’s death, for an original production inspired by the research of the Maestro which will be part of the “Museo del Novecento” collections

Eugenio Tibaldi, Abusive Garden

Coexistence. Human, Animal and Nature in Kiasma’s Collections

26 April – 1 March 2019

Kiasma Museum, Helsinki

A musa em férias

group show curated by Antonia Gaeta
with Ana Santos and Isabel Carvalho

18 April – 25 June 2019

Casa Museu Guerra Junqueiro, Porto

Rivoluzioni
Fotografia Europea 2019

12 April – 9 June 2019

Chiostri di San Pietro, Reggio Emilia

It Bites Back

11 April – 16 June 2019

Gasworks, 155 Vauxhall Street, London

Fauna

curated by Pedro Lapa

20 March – 2 June 2019

Museu Coleção Berardo, Lisbon

Agar

15 March – 28 April 2019

Galeria do Paço/ Universidade do Minho, Braga

En Orden de Aparición: Peruvian and Latin American Art of the Hochschild Collection

26 February – 21 April 2019

Real Academia de Bellas Artes de San Fernando, Madrid, Spain

Heart of Darkness. Can Art Prevent Mistakes?
Castello di Rivoli@OGR.1

group show curated by Marcella Beccaria

A  Mordida (The Bite)

4 December 2018 – 28 July 2019

Perez Art Museum Miami, Fl, USA

Pedro Neves Marques: A Mordida is organized by PAMM Assistant Curator Jennifer Inacio. The exhibition is supported by the Calouste Gulbenkian Foundation.

Eva Papamargariti – Giulio Scalisi – The Cool Couple
curated by Alberta Romano

Opening Tuesday 18 December 2018 from 7pm to 9.30pm
until 7 March 2019

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Giulio Scalisi, Fontana infinita, 2018, installation view

Giulio Scalisi, Fontana infinita, 2018, installation view

Giulio Scalisi, Fontana Infinita, 2018, installation view

Giulio Scalisi, Fontana Infinita, 2018, installation view

Giulio Scalisi, Fontana infinita, 2018, installation view

The Cool Couple, Way out, 2018, installation view, anodised aluminium, jammer, cherry wood, cm 130x60x60, nr. 3 movable type print on amalfi paper, wood, museum glass, cm 27×52 each

The Cool Couple, Way out, 2018, installation view

The Cool Couple, Way out, 2018, installation view

The Cool Couple, Way out, 2018, installation view

The Cool Couple, Way out, 2018, installation view

Eva Papamargariti, Precarious Inhabitants, 2017, three channel video installation

Eva Papamargariti, Precarious Inhabitants, 2017, three channel video installation

Eva Papamargariti, Precarious Inhabitants, 2017, three channel video installation

Eva Papamargariti, Precarious Inhabitants, 2017, three channel video installation

Eva Papamargariti, Precarious Inhabitants, 2017, three channel video installation

Thursday 25 October 2018

7pm Galleria Umberto Di Marino – Via Alabardieri 1, Napoli

Friday 26 October 2018
6pm Complesso di Santa Maria delle Anime del Purgatorio ad Arco, Via Tribunali 39, Napoli
8pm Riot studio, Palazzo Marigliano, Via San Biagio dei Librai 39, Napoli

Saturday 27 October 2018
10am Chiesa di San Giuseppe delle Scalze a Pontecorvo, Salita Pontecorvo, 65, Napoli
12am Castel Sant’Elmo, Via Tito Angelini, 22, Napoli

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Chi non si indigna della situazione in cui ci troviamo è un pezzo di merda, 2018, steel, 1€ coins, cm 148×255. photo Renato Ghiazza

installation view at Galleria Umberto Di Marino. photo Danilo Donzelli

Breaking Icons, 2004 – 2018, 14 frames cm 32×23 each, glass and pictures, var.dim. photo Renato Ghiazza

Enjoy your travel, 2006, wood, cm 230x120x370. photo Renato Ghiazza

Ipogeo di Purgatorio ad Arco, Napoli. Installation view. photo Danilo Donzelli

Ipogeo di Purgatorio ad Arco, Napoli. Refricare cicatricem, 2018, 12 batterflies, 12 Vesuvius stones, var.dim. photo Danilo Donzelli

Riot studio, Napoli. Installation view. photo Renato Ghiazza

Riot studio, Napoli. Biblioteca 01, 2008, wood, plexiglass, paper, cm 155×95 x30. photo Renato Ghiazza

Riot studio, Napoli. Would I lie to you?, 2018, painting on glass, Ø mm 27 each. photo Renato Ghiazza

Chiesa di San Giuseppe delle Scalze a Pontecorvo, Napoli. Installation view. photo Danilo Donzelli

Chiesa di San Giuseppe delle Scalze a Pontecorvo, Napoli. Is it getting better?, 2018, gold leaf on the wall, var.dim. photo Danilo Donzelli e Renato Ghiazza

Chiesa di San Giuseppe delle Scalze a Pontecorvo, Napoli. Leche y Ceniza, 2008 wood, mirror, cm 100x116x 68. photo Renato Ghiazza

Chiesa di San Giuseppe delle Scalze a Pontecorvo, Napoli. Borders, 2006, mirrors, cm 35×240. photo Renato Ghiazza

Chiesa di San Giuseppe delle Scalze a Pontecorvo, Napoli. Installation view. photo Danilo Donzelli

Castel Sant’Elmo, Napoli. La Niña, la Pinta e la Santa Maria, 2009, paper boats, var.dim. photo Danilo Donzelli

Castel Sant’Elmo, Napoli. Installation view. photo Danilo Donzelli

Castel Sant’Elmo, Napoli. Possa la tua luce essere eterna e il tuo dolore transitorio, 2018, handcuffs, cm 360

Castel Sant’Elmo, Napoli. Installation view. photo Danilo Donzelli

Castel Sant’Elmo, Napoli. installation view. photo Danilo Donzelli

Castel Sant’Elmo, Napoli. La mort est blue, 2013, Portuguese rose marble, cm 26x70x3. photo Renato Ghiazza

Galleria   Ipogeo di Purgatorio ad Arco    Riot studio  Chiesa di San Giuseppe delle Scalze a Pontecorvo     Castel Sant’Elmo

Opening 7 June 2018 – 7pm
until 22 September 2018

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exhibition view

exhibition view

KOH, 2018, installation, zinc etching plate, Marseille soap, cm 40×30 each

exhibition view

Suit, 2018, white bronze, cm 10x69x54

exhibition view

Pants, 2018, white bronze, cm 7x39x28

Brush, 2018, white bronze, cm 14x8x20

exhibition view

Soap, 2018, white bronze, cm 8x11x9

Connatural, 2018, video HD, color, dur. 8 min.12 sec.

Connatural, 2018, video HD, color, dur. 8 min.12 sec.

Connatural, 2018, video HD, color, dur. 8 min.12 sec.

Opening 11 January 2018  7pm – 10pm
until 30 April 2018

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—CV

—Exhibition

• Processo alla Natura — 13 April 2018 group show at Spazio Maria Calderara, Milano
• Unlocking someting — 12 October 2017

—Works

Sur moderno: Journeys of Abstraction, 2019, exhibition view at MoMA, NY, US

Levanta el telón, 2017, exhibition view at LiMAC, Lima, curated by Antoine Henry Jonquères
From left to right: Eugenio Espinoza, Jon Mikel Euba, Christian Bagnat, Sandra Gamarra

Retro/retrospective 1973/2016, exhibition view at Tenerife Espacio de las Artes, Spain
photo Jaime Bravo

Retro/retrospectiva 1973/2016, performance at Tenerife Espacio de las Artes, Spain
photo Jaime Bravo

Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio
de las Artes, Spain. photo Jaime Bravo

Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio
de las Artes, Spain. photo Jaime Bravo

The Three Graces, 1977/2016, interactive installation at Tenerife Espacio de las Artes, S
photo Jaime Bravo

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl

Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl

opening 12 October – 7pm
until 22 December 2017

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photo Danilo Donzelli

Opening 10 March 2017 – 7pm
until 30 June 2017

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Corpo di luce, 2017, wall painting, var.dim

Corpo di luce, 2017, wall painting, var.dim

Corpo di luce, 2017, wall painting, var.dim

Corpo di luce, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Paesaggi della mente, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

Aura, 2017, wall painting, var.dim

Opening: 17 January 2017  from 7pm to 10pm
until 22 February 2017

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exhibition view

The Pudic Relation Between Machine and Plant, 2016, video, color, sound, 2’30”

exhibition view

The gene series, 2017, soy based ink print, cm 46×38 each

exhibition view

exhibition view

GMO are a Direct Evolution of Botanical Expeditions to the Colonies Throughout Modern Times, 2017, installation, UV print on white latex, var.dim.

exhibition view

GMO are a Direct Evolution of Botanical Expeditions to the Colonies Throughout Modern Times, 2017, installation, UV print on white latex, var.dim.

exhibition view

GMO are a Direct Evolution of Botanical Expeditions to the Colonies Throughout Modern Times, 2017, installation detail

Learning to Live With the Enemy, 2016, video, color, sound, dur. 9′ 30”

exhibition view

exhibition view

exhibition view

Opening: 30 September 2016 from 7pm to 10pm
until 31 December 2016

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Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Motocycles, butterflies, colors, 2016, digital print on Hahnemühle Photo Rag, paint, var.dim.

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Shamanic Modernism: Parrots, Bossanova and Architecture, 2016, exhibition view

Modernismo Chamánico (Cathedral – Pincapple – Bossa Nova), 2016, digital print on Hahnemühle Photo Rag, paint, record player, paper, vinyl, var.dim.

Modernismo Chamánico (Cathedral – Pincapple – Bossa Nova), 2016, detail

Opening: Thursday 12 March 2015  from 7pm to 10pm

until 12 May 2015

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Anger, 2015, exhibition view

Terra, 2015, enigma vinyl, 3 soundtracks, vinyl and meteorites, cm 33×33

Terra, 2015, detail

Anger, 2015, exhibition view

Anger, 2015, exhibition view

Anger, 2015, exhibition view

Gliese 581m, 2015, copper etching plate, cm 27×50

Anger, 2015, exhibition view

Kepler 62h, 2015, intaglio printing on paper, cm 31×350

Kepler 62h, 2015, detail

Opening: Wednesday 11 June 2014  8-10pm

until 20 October 2014

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Ears go deeper than eyes can see, 2014, exhibition view

Ears go deeper than eyes can see, 2012-2014, raw ceramic, cardboard, tape, wooden table and metal trestles, cm 72x125x160

Ears go deeper than eyes can see, 2012-2014, detail

One side and the other, 2014, stack of double-sided posters, 1000 copies, cm 50×60

La Muralla Azul, 2014, installation rubber stamp on wall, 5 exposed Sunprint papers, mediterranean sun and mediterranean water, var. dim.

La Muralla Azul, 2014, installation

La Muralla Azul, 2014, installation

La Muralla Azul, 2014, detail

For the ghosts and the raving poets, 2013, cable, light bulb, variable dimensions

For the ghosts and the raving poets, 2013, cable, light bulb, variable dimensions

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014 dia projection loop with sound – The Russian Anthem instrumental version and stamp, variable projection size

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014

Following the Light of the Sun, I Only Discovered the Ground, 2012 -2014