Category Archives: Artists

Solo show, 2021, Galerie Michael Haas, Berlin, DE ph Wolfgang Ganter

Portraits, 2016, exhibition view solo show at Contemporary Fine Arts, Berlin, DE ph Jochen Littkemann

Granum Sinapis, 2014, exhibition view solo show at Contemporary Fine Arts, Berlin, DE ph Jochen Littkemann

Peter Böhnisch, 2012, exhibition view solo show at Contemporary Fine Arts, Berlin DE ph Jochen Littkemann

Kanisfluh, 2011, exhibition view solo show at Contemporary Fine Arts, Berlin, DE ph Jochen Littkemann

Humus, 2008, exhibition view at Galerie Giti Nourbakhsch, Berlin

Arbeiten auf Papier, 2008, exhibition view at Kunsthalle Bremerhaven, Bremerhaven, Germany

Solo show, 2006, exhibition views at Galerie Giti Nourbakhsch, Berlin

LISTENING POST Dalle pratiche di ascolto alla sound art, Installation view at Fondazione Bevilacqua La Masa, Venice, IT

LUCIFERASI, 2022, winner of the ALA Art Prize 2022, installation view at ALA, Naples, IT

Qualcosa nell’aria, 2022, group show at Fondazione Sandretto Re Rebaudengo, Turin, IT

Do Animals Go To Haeven, 2022, works from Collezione Agovino, installation view at Chiesa del Purgatorio, Matera, IT

Blind, 2021, realized for “MALACLIPTICOPTIROSI”, VinVin, Wien, AUT ph Flavio Palasciano

Ossicodone, 2020, realized for “Diversi”, curated by Daniela Zangrando, Museo Burel, Belluno, IT ph Francesco Titton

Inoculati, 2018, realized for “That’s IT! Sull’ultima generazione di artisti in Italia e a un metro e ottanta oltre il confine”, curated by Lorenzo Balbi, MAMbo, Bologna, IT, ph MaMbo

Chiamati alla veglia, trattennero il respiro, 2016, realized for “Dipartimento di Fisica dell’Università di Trento” in collaboration with Mart, Museo d’arte contemporanea di Trento e Rovereto, IT,

Nenia, 2016, realized for “Nenia”, curated by Daniela Zangrando, Museo Internazionale della Musica, Bologna, IT

Melisma, 2016, realized for “Altri tempi altri miti. 16° Quadriennale d’Arte”, curted by Marta Papini, Palazzo delle Esposizioni, Roma, IT ph OKNOStudio

Avorio, 2015, realized for “Control Mode Feedback”, curated by Elena Agudio e Michael Artz,    Halle 14, Lipsia, DE, ph Kombinat

Device, 2014, realized for “AMADABLAM”, T293, Roma, IT

Untitled (From no part of me could I summon a voice), 2012, realized for “Paradossi”, curated by Angela Vettese, Ca’ Pesaro, Venice, IT

Elektronskal, 2012, realized for “Art or Sound”, curated by Germano Celant, Fondazione Prada, Venice, IT

Tarantolata, 2012, realized for “High Gospel”, curated by Ilaria Bonacossa, Museo Villa Croce, Genova, IT ph Nuvola Ravera

E13 000625, 2011, realized for “Talenti emergenti”, a cura di Fransiska Nori, Palazzo Strozzi, Florence, IT

Adunchi, 2010, realized for “Terre Vulnerabili”, curated by Chiara Bertola e Andrea Lissoni, Hangar Bicocca, Milan, IT

25L, 2010, realized for “21×21. 21 Artisti per il 21° secolo”, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino, Collezione Sandretto Re Rebaudengo, Turin, IT

LK100A, 2010, realized for “Art Public 41” Basel, CH

SHIFT, 2009, realized for “7° Premio Furla”, Fondazione Querini Stampalia, Venezia, Collezione Museo del Novecento, Milan, IT

Eprom, 2008, realized for ‘T2 – Torino Triennale. 50 lune di Saturno, curated by Daniel Birnbaum, Fondazione Sandretto Re Rebaudengo, Turin, IT

USB, 2007, realized for “Silenzio. Una mostra da ascoltare”, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino, Collezione AGI, Verona

Not titled (Circumstantial [12 coconuts]), 1971. Acrylic on unprimed canvas, coconuts, and rope, 150 x 150 x 25 cm. Installation view, Tropical Stories from Southeast Asia and Latin America, National Gallery Singapore, 2023. Image credit National Gallery Singapore.

Onceptuales. 2022, exhibition view at The Anderson, Virginia Commonwealth University, Richmond, US

Sur moderno: Journeys of Abstraction, 2019, exhibition view at MoMA, NY, US

Levanta el telón, 2017, exhibition view at LiMAC, Lima, curated by Antoine Henry Jonquères
From left to right: Eugenio Espinoza, Jon Mikel Euba, Christian Bagnat, Sandra Gamarra

Retro/retrospective 1973/2016, exhibition view at Tenerife Espacio de las Artes, Spain
photo Jaime Bravo

Retro/retrospectiva 1973/2016, performance at Tenerife Espacio de las Artes, Spain
photo Jaime Bravo

Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio
de las Artes, Spain. photo Jaime Bravo

Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio
de las Artes, Spain. photo Jaime Bravo

The Three Graces, 1977/2016, interactive installation at Tenerife Espacio de las Artes, S
photo Jaime Bravo

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl

Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl

Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl

Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT

Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT

Android Loop, 2023, Art Basel Hong Kong, HKECC, HK ph Michele Galeotto

Shéhérazade, at night, 2022, curated by Yoann Gourmel at Palais de Tokyo, Paris, FR

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza

Middle Ages, 2021, installation view at Exhibition of 21 Artists shortlisted for the Future Generation Art Prize, Pinchuk Art Centre, UKR

Installation view of Medieval Bodies, 2021, curated by Luís Silva at Galerias Municipais de Lisboa, PT ph Bruno Lopes

Medieval Bodies – Meat is Not Murder, 2021, with HAUT, installation view at Liverpool Biennial 2021, curated by Manuela Moscoso, ph Rob

YWY, Visions, 2021, curated by Rosa Lleó, exhibition view at CaixaForum, Barcelona, ES

Installation view of YWY Visions, 2021, curated by Rosa Lleó at CA2M, Madrid, SP ph Sue Ponce Gomez

Linnaeus and the Terminator Seed, 2017, installation view at High Line, 2020, New York, US

Becoming Male in the Middle Ages, 2019, installation view at Castello di Rivoli (TO), Italy

It Bites Back, 2019, (featuring music by HAUT), exhibition view at Gasworks ph Andy Keate

A Mordida, 2018, exhibition view at Pérez Art Museum Miami (PAMM) curated by Jennifer Inacio.

Present Future project at Artissima, 2018. Winner of the 18th edition of the illy Pesent Future Prize. photo Renato Ghiazza

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato

The winter of our discontent, 2016, exhibiton view at Galerie Martin Janda, Wien – photo Markus Wörgötter / The Pudic Relation Between Machine and Plant, 2016, 2 min. 30 sec., video loop, sound

Terms of Use: FIT (Communal Options), 2014, exhibition view at Bienal de Cuenca, Ecuador

Postcodes, 2014, exhibition view at Casa do Povo, São Paulo, BR

Environments, 2013, with Mariana Silva, exhibition view at e-flux, New York

Monitors loop system: Fuzzy Logic I, 2013, Untitled (Sinkhole), 2013, Beams of Cathodic Rays Shooting, 2013, and Hoods Up! (Every Participant’s Dream of Violence), 2012
exhibition view at e-flux, New York

Environments, 2013, exhibition view including Chester, by Quasar Khan (1934-), at e-flux, New York

Relax, from the Aerospace Collection by Quasar Khanh (1934-), original date of design 1968, P.V.C. furniture inflated with 21st century air, installation view at e-flux, New York

The Chosen Ones, 2012, exhibition view at Galeria Pedro Cera, Lisboa

The Integration Process, 2012, exhibition view at Parkour, Lisboa

The Economist/A Decade, 2012, magazines dated 1999-2011, cm 27×40.5 each

Running the fields make some noise, 2017, performance with Giuseppe Stampone, Fondazione Malvina Menegaz, Castelbasso (TE)

European Alternatives.Terzo tempo/Overtime, 2017, MAXXI Museum, Roma

There is No Place Like Home, 2016, exhibition view at Approdo fluviale, Lungotevere San Paolo, Rome

Horizontal, exhibition view at Casa Italia Rio 2016 curated by Beatrice Bertini, Rio de Janeiro

we can’t wait, 2016, with Massimiliano Piluzzi, exhibition view at Quirinetta Caffè, Rome

nè qui nè altrove, 2016, with Giuseppe Pietroniro, exbition view at Palazzo Bevilacqua Ariosti, Bologna, I

dodici stanze, 2015, exhibition view at CIAC – Colonna Castle – Genazzano, Roma

Due o tre cose che so di lei, 2014, curated by Claudio Libero Pisano, exhibition view at Villa Medici, Roma, I

Time Being Time, 2014, exhibition view at Museum of Contemporary Art of Republic of Srpska

A Line describe a Surface. Cosa succede, 2013, exhibition view at Museion, Bolzano

Re–generation, 2012, installation view at Macro Testaccio, Roma
photo Giorgio Benni

Extra Spirito, 2012, installation view at Palazzo Baldassini, Roma

Né qui nè altrove, 2012, exhibition view with Giuseppe Pietroniro
at Museo C.H.Andersen, Roma

Unfamiliar idea of Rome, 2011, installation view at American Academy in Rome
photo Davide Franceschini

Reading Room, 2010, installation view at Nomas Foundation, Roma

Mutiny Seemed a Probability, 2010, installation view at Fondazione Giuliani, Roma
photo Claudio Abate ©- Giuliani Collection

Ninguém. Só eu, 2022, curated by Antonia Gaeta exhibition view at Centro arte de Oliva, ph Dinis Santos

Ninguém. Só eu, 2022, curated by Antonia Gaeta exhibition view at Centro arte de Oliva, ph Dinis Santos

Agar, 2019, exhibition view at Galeria do Paco/ Universidade do Minho, Braga, photo credit Dinis Santos

Agar, 2019, exhibition view at Galeria do Paco/ Universidade do Minho, Braga, photo credit Dinis Santos

Eye Massage, 2018, exhibition view at Pedro Cera Gallery. photo Bruno Lopes

Yo – Yo, 2017, exhibition view at Contemporary Gallery of Serralves Museum, Porto, P. Fotos Filipe Braga, © Fundação de Serralves, Porto

Yo – Yo, 2017, exhibition view at Contemporary Gallery of Serralves Museum, Porto, P. Fotos Filipe Braga, © Fundação de Serralves, Porto

In order of appearance, 2017, exhibition view at Galeria Pedro Cera, Lisbon, P

Magicians’ Right Hand, 2016, curated by Markéta Stará Condeixa, exhibition view at FUTURA, Prague, CZ

menthol 2016, exhibition view with Pedro Henriques, Ar sólido, Lisbon

2015, group show at Schwarz Contemporary, Berlin

Correr à volta, 2015, walls and ceiling, Capo d’Orlando beach stones on ruins,
mural view at La Stanza della Seta, Museo Lucio Piccolo, Ficarra, Sicily, I

Through painting, 2015, exhibition view with Marc Breslin at Fondazione Rivolidue, Milano

Through painting, 2015, exhibition view at Fondazione Rivolidue, Milano

wet wet sunset ear on a wall, 2015, exhibition view with Johana Pošova, Syntax, Lisbon, P

Somos nada / Concha relógio, 2015, chalk on wall

Sereia, 2014, exhibition view at Museu Nogueira da Silva, Braga, Spain

Z, 2013, exhibition view at Galeria Pedro Cera, Lisboa

Gothic, 2012, group show at Parkour, Lisboa

Crystal Frontier, 2012, exhibition view at Enblanco Projektraum, Berlin

Under Fire, 2012, group show at Galeria Baginski, Lisboa

Universal, 2011, exhibition view at Marz Galeria, Lisboa

Untitled, 2011, oil paint and pigment on paper, cm 29×21 each

The sun dies soon, 2009, exhibition view at Pavilhão Branco, Lisboa

West, 2023, exhibition view at MANN – Museo Archeologico Nazionale di Napoli, Naples, IT

Rivoluzioni, 2022, exhibition view at BASE / Progetti per l’arte, Firenze, IT ph Leonardo Morfini,

Il Corsaro Nero e la vendetta del Gavi – Una mostra, una performance, un’installazione, 2019, curated by Ilaria Bonacossa, exhibition view at Forte di Gavi, IT

Panorama, 2017, exibition view at Fotomuseum Winterthur CH

Panorama, 2016, exhibition view at Camera, Torino, curated by Francesco Zanot

American Recordings, 2015, film, HD, 20′, installation view at Castello di Rivoli, Torino

American Recordings, 2015, film, HD, 20′, installation view at Castello di Rivoli, Torino

La notte del Drive in: Milano spara, 2013, ex shed Alfa, Milano, Italy

La notte del Drive in: Milano spara, 2013, film 38′

Venezia/The Precursors Lagacy, 2013, Casa dei Carraresi, Treviso

Prado:Spectaculum Spectatoris,2011,video installation at Museo Nacional del Prado,Madrid

The Morocco Affair. New Entries!, 2009–2010, exhibition view at Museion, Bolzano

I can see your house from here, 2009, Museion at the Eurac Tower, Bolzano

The Room. Da Guarene all’Etna 1999–2009, Fondazione Sandretto Re Rebaudengo,
Guarene d’Alba

Secret Traces, 2009, exhibition view at Universitad de Colombia, Bogotà

vedovamazzei, 2021, exhibition view at Palazzo Brancadoro – Case Museo di Fermo, Fermo, IT ph Francesca Renzi

vedovamazzei, 2021, exhibition view at Palazzo Brancadoro – Case Museo di Fermo, Fermo, IT ph Francesca Renzi

Black & Lights, 2019, exhibition view at Base | Progetti per l’arte, Firenze, IT

vedovamazzei presenta Boccioni, 2018, neon light, cm 710×178, Public Work at Cittadella degli Archivi, Milano

After After Love, 2017, Da Duchamp A Cattelan. Arte contemporanea sul Palatino, Roma

UN united nothing(Srebrenica quote 1994),2015,site specific at Certosa di S.Giacomo,Capri

La fine di un lavoro mai fatto, Non basta ricordare, 2014, performance at Maxxi Museum, Roma

One too many (3) 18 years later, performances 1996/2011/2014, Paris

No necesita suerte, 2012, exhibition view at Istituto Italiano de Cultura, Madrid

Ash, 2011, mixed ash, oil on glass and paper, cm 37,5 x 31 x 5, cm 37,5 x 38 x 5

Exhibition view Dublin Contemporary 2011, curated by Jota Castro and Christian Viveros – Photo Renato Ghiazza

Next to normal, 2010, neon light, black paint, cm 139 x 250

Wireless, 2008, 50 neon lights, cm 600 x 220
Collection MAMBO Bologna

After love, 2003, mixed media, cm 760 x 680 x 380
Public Art Project, 2007, Art Basel

Greatest hits, 2006, exhibition view at Museo MADRE, Napoli

Communist’s laugh, 2007, charcoal on paper, cm 210 x 300 – cm 165 x 261

They want to be Famous, 2008, divano, luce al neon, cm 190 x 90 x 85

Go whereever you want, bring me whatever you wish, 2000 – GAM, Torino – articulated lorry, wood, rubber, water plants, water lilies, boat, oars, wooden pier, aluminium ladder, cm 400 x 1675 x 250

Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT

Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT

Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT

VERTIGINE, 2022, Installation view Museo d’arte contemporanea Burel, Belluno, IT Ph Francesco Titton.

Do Animals Go To Haeven, 2022, works from Collezione Agovino, installation view at Chiesa del Purgatorio, Matera, IT

Installation view at Liverpool Biennial 2021, curated by Manuela Moscoso ph Rob

Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes

Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes

Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes

Fruits and Flowers, 2018, exhibition view at Vera Cortês gallery, Lisbon. photo Bruno Lopes

Ways of the land, 2017, exhibition view at Maisterravalbuena, Lisboa
curated by João Mourão and Luís Silva, photo: Bruno Lopes

The monster dresses in Mirrors, exhibition view at Syntax, Lisbon

The monster dresses in Mirrors, 2016, detail, exhibition view at Syntax, Lisbon

Magicians’ Right Hand, 2016, curated by Markéta Stará Condeixa, exhibition view at FUTURA, Prague, CZ

Beauty Codes (order/disorder/chaos) – Act II, 2015
exhibition view with works by André Romão, Jacopo Miliani and Haris Epaminonda at Kunsthalle Lissabon, Lisbon, P. Photo: Bruno Lopes

Beauty Codes (order/disorder/chaos) – Act II, 2015
exhibition view at Kunsthalle Lissabon, Lisbon, P. Photo: Bruno Lopes

Ficarra_Contemporary Divan, 2015,exhibition view at Palazzo Milio, Ficarra, ME, I

Restless, 2015, exhibition view at Vera Cortês Gallery, Lisbon, P

Iron, Flesh, Abstraction, 2015, installation view at The Green Parrot, Barcelona

Dead Blink 2014, temporized slide projection, installation view at MACRO, Roma
© Luis do Rosario

Bes Revelação, 2013, exhibition view at Serralves Museum, Oporto

The Dancing Plague, 2012, exhibition view at Parkour, Lisboa

The Myth of Violence_Europa, 2012, installation view at Parkour, Lisboa

The Vertical Stage, 2010, exhibition view at Bethanien, Berlin, photo David Brandt

A curtain of smoke/ marble and glass, 2010, with Pedro Neves Marques
exhibition view at Museu da Electricidade, Lisboa

The Vertical Stage, 2010, exhibition view at Serralves Museum, Oporto
photo Filipe Braga

The Winter of (our) Discontent, 2010, exhibition view at Kunsthalle Lissabon, Lisboa
photo Bruno Lopes

Informal Inclusion, 2024, Italian Pavilion at malta.biennale, curated by Francesca Guerisoli and Nicolas Martino at Villa Portelli, Kalkara, MT photo Lorenzo Morandi

Informal Inclusion, 2024, Italian Pavilion at malta.biennale, curated by Francesca Guerisoli and Nicolas Martino at Villa Portelli, Kalkara, MT photo Lorenzo Morandi

ATOPOS, 2023, solo exhibition curated by Lucrezia Longobardi at The Drawing Hall, Bergamo, IT ph Walter Carrera

ATOPOS, 2023, solo exhibition curated by Lucrezia Longobardi at The Drawing Hall, Bergamo, IT ph Walter Carrera

MARSHY, 2022, site-specific environmental artwork, winner of the 20th Ermanno Casoli Prize curated by Marcello Smarrelli, Castelfidardo, IT

MARSHY, 2022, site-specific environmental artwork, winner of the 20th Ermanno Casoli Prize curated by Marcello Smarrelli, Castelfidardo, IT

Do Animals Go To Haeven, 2022, group show with works from Collezione Agovino, exhbition view at Chiesa del Purgatorio, Matera, IT ph Danilo Donzelli

MARGINAL CARILLON, 2023, Eugenio Tibaldi and Taketo Gohara, curated by Irina Zucca Alessandrelli, BASE Milano, Milan, IT

Temporary Landscape, Erbari, Mappe, Diari, 2021, curated by Marco Scotini at PAV – Parco d’Arte Vivente ph Agostino Osio

Temporary Landscape, Erbari, Mappe, Diari, 2021, curated by Marco Scotini at PAV – Parco d’Arte Vivente ph Agostino Osio

Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT ph Lorenzo Morandi

Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT

Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT ph Lorenzo Morandi

Anthropogenic Connection, 2020, curated by Meskerem Assegued and Adriana Rispoli, Zoma Museum with the support of Italian Cultural Institute of Addis Ababa

Notturno con figura Primo corollario sulla vibrazione, 2020, curated by Lucrezia Longobardi exhibition view at La Galleria Nazionale d’Arte Moderna e Contemporanea, Roma, IT ph Anton Giulio Onofri

Notturno con figura Primo corollario sulla vibrazione, 2020, curated by Lucrezia Longobardi exhibition view at La Galleria Nazionale d’Arte Moderna e Contemporanea, Roma, IT ph Anton Giulio Onofri

Giardino abusivo, 2019, installation view at Museo del Novecento, winner of After Leonardo Prize, Milano, IT  ph  U. Armiraglia

Giardino abusivo, 2019, installation view at Museo del Novecento, winner of After Leonardo Prize, Milano, IT  ph  U. Armiraglia

30 Years Old, a project of Eugenio Tibaldi, 2019, realized by Istituto Italiano di Cultura di Tirana in collaboration with l’Università delle Arti and Harabel Contemporary Art Platform, Galleria FAB, Tirana, AL

Più là che Abruzzi, 2019, exhibition view at MuMi – Museo Michetti, Francavilla al Mare CH curated by Simone Ciglia, ph credit Gino Di Paolo

Inclusio, 2018, exhibition view at Centro Italiano di Documentazione sulla Cooperazione e l’Economia Sociale, Bologna, I

Hämatli & Patriæ, 2017, exhibition view at Museion-museo d’arte moderna e contemporanea, Bolzano, curated by Nicolò Degiorgis

Flatlands, 2017, exhibition view at Museum of Contemporary Art & Design, Manila, Philippines

Now Here is Nowhere Sei Artisti della American Academy in Rome, 2017, exhibition view with Jackie Saccoccio at Istituto Italiano di Cultura, New York

Architettura minima, 2016, exhibition view at Palazzo Caracciolo, Napoli
photo A.Benestante

Seconda chance, 2016, exhibition view at MEF_Museo Ettore Fico, Torino – photo_bg

Seconda chance, 2016, exhibition view at MEF_Museo Ettore Fico, Torino – photo_bg

New Informal Museum’s Room, 2016, exhibition view at Complesso Monumentale del S.Giovanni, Catanzaro, I

Capri B&B-Behind and Beyond,2016,exhibition view at Certosa di San Giacomo, Capri, I

questione d’appartenenza, 2016, Museo Madre, Napoli

The identity of concrete, 2015, original projects on tracing paper of the Mondadori cut and sewed, cm 260x350x15, on loan to Museo Madre, Napoli, I, (Per_forming a collection #4)

Cuba Informal Poker Room, 2015, performance at Bienal de La Habana, Cuba

Geografia economica 011, 2014, exhibition view at Galleria d’Arte Contemporanea “Osvaldo Licini”, Ascoli Piceno, Italy – photo Pierluigi Giorgi

Economy Expressway, 2009, paint, fotogrammetria satellitare, m 2,02 x 12
installation view at Metro Napoli

Geopolíticas Transversales, 2016, exhibition view at Foto Monumental, Callao, Perù

Latin American Art Museum, Department of Parrots, 2015, exhibition view at Jenielift, Miami

Theorem, 2015, exhibition view at Mana Contemporary, Jersey City, USA
curated by Octavio Zaya

Encontro de Mundos, 2014, exhibition view at Museu de Arte do Rio de Janeiro, Brazil, curated by Paulo Herkenhoff

Disassembling Paradise, 2013, exhibition view at KaBe Gallery, Miami, USA

Paradise: real time, 2010, Ikon Gallery Eastside, Birmingham, UK

Paradise in the New World, 2008, installation view at LWL, Munster, D

Dark Forest (Selva Oscura), 2008, installation view at LWL, Munster, D

Dark Forest (Selva Oscura), 2008, detail

Tropicalounge, 2006 – exhibition view at Palais de Tokyo, Paris, F

Tropicalounge, 2006 – exhibition view at Palais de Tokyo, Paris, F

Always a little further, 2005, exhibition view at 51st international Art Exhibition, Biennale di Venezia, curated by Rosa Martínez

Untitled, 2015/ 2021, Curtains, plants, electric fans, Installation view at La Portineria, Florence, 2021 ph Tartaruga, Courtesy La Portineria

The Earth is Blue Like a Lemon, 2020, installation view at Arts Maebashi

The Earth is Blue Like a Lemon, 2020, installation view at Arts Maebashi

Claritudo , 2019, Untitled (metamorphosis) 2018, at Basilica San Celso, Milano, ph credit: Tartaruga

Claritudo , 2019, Star Dust (2000) at Basilica San Celso, Milano, photo Tartaruga

A Cosmology from Forest, 2017, exhibition view at Tomio Koyama Gallery, Tokyo

Vis à Vis Flâneur, 2016, artists in residence project, exhibition view, Campobasso, I

Vis à Vis Flâneur, 2016, artists in residence project, exhibition view, Campobasso, I

Cherubino, 2013, exhibition view at 8 Art Gallery/ Tomio Koyama, Tokyo

Cherubino, 2013, exhibition view at 8 Art Gallery/ Tomio Koyama, Tokyo

Your Sky, My Sky, 2013, installation view at Maebashi Musem of Art, Japan

House of Kabosu, 2012, installation view at Hamawaki area, Beppu, Japan
photo Takashi Kubo

Garden of the firmament, 2012, installation view at Hamawaki area, Beppu, Japan
photo Takashi Kubo

Untitled, 2011, installation view at Banca Akros, Milano
photo Tartaruga

Untitled, 2011, detail

Untitled, 2011, installation view at Saiseikai Iizuka Kaho Hospital, Iizuka, Japan
photo Tomo Hirao

Untitled, 2011, detail

The distance for touching the sky, 2006, installation view at the Vangi Sculpture Garden Museum, Tokyo, Japan

Pittura Italiana, 2023, installation view at Triennale Milano, Milan, IT

Enigma della Materia, 2023, Mosaic, donated by the artist to the city on the occasion of PANORAMA L’Aquila. ph Danilo Donzelli

The Mountain Touch, 2022, group show curated by Andrea Lerda, installation view at Museo della Montagna, Turin, IT

The Mountain Touch, 2022, group show curated by Andrea Lerda, installation view at Museo della Montagna, Turin, IT

The Mountain Touch, 2022, group show curated by Andrea Lerda, installation view at Museo della Montagna, Turin, IT

Oltre ogni ragionevole dubbio, 2017, exhibition view at Real Academia de España, Roma

Oltre ogni ragionevole dubbio, 2017, exhibition view at Real Academia de España, Roma

CosmicaMente, 2015, curated by Laura Cherubini, exhibition view at MACRO Testaccio Roma

CosmicaMente, 2015, curated by Laura Cherubini, exhibition view at MACRO Testaccio Roma

GeograficaMente, 2015, exhibition view at Mart Rovereto, Trento, Italy

Paesaggi della mente, 2014 exhibition view at Fondazione Menegaz, Castelbasso, Italy

Paesaggi della mente, 2014 exhibition view at Fondazione Menegaz, Castelbasso, Italy

In water, I understand, 2013, collateral event at the 55th International Art Exhibition, la Biennale di Venezia

Realtà parallele,2012,exhibition view at GNAM,Galleria Nazionale d’Arte Moderna,Roma
photo Sebastiano Luciano

Realtà parallele,2012,exhibition view at GNAM,Galleria Nazionale d’Arte Moderna,Roma
photo Sebastiano Luciano

Venticinque minerali blu, 2005, installation view at Università Bocconi, Milano

Coscienza Eterea, 2011, installation view at Dublin Contemporary 2011
photo Renato Ghiazza

Separate and Complex Bodies, Sophisticated Interactions, and Unfathomable Lives, 2023, KCI | Kansas City International Airport

You Still Make Me Tremble, 2021, installation view at MMoCA, Madison Museum of Contemporary Art, US

The Wandering Rocks, 2020, site-specific project at MMoCA, Madison, Wisconsin, US

Gos Sa Mer:2012, exhibition view with Ester Partegàs at The Lynden Sculpture Garden, Milwaukee

The Fence By the Ladies Jail, 2011, exhibition view at Green Gallery East, Milwaukee

En la bruma de lavanda, 2011, exhibition view at Galeria Labor, Mexico

7 Variation On You Can’t Always Get What You Want with Martin Ayos, 2010
exhibition view at Salina Art Center, Salina, Kansas

Pleathers, 2010, exhibition view at Huret Gallery, Emerson College, Boston

Whose_afraid_of_red,yellow,blue_ELECTIONEERING(an_anarchist_a_communist_and_a_
social_conservative) 2009, installation view at Fort Worth Art Center Texas

The black car and green waters of Lethe, 2008, exhibition view at LOOCK Galerie, Berlin

On site: Santiago Cucullu (MF Ziggurat), 2008, installation view at Milwaukee Art Museum

Installation view of Whitney Biennial 2004 (Whitney Museum of American Art, New York, New York, May 11, 2004–May 30, 2004). Santiago Cucullu, Untitled, 2004. Photograph by Jerry L. Thompson

Entrance into Otherwise aka Otherwise Enter 2002, Installation view at Walker Art Center, Minneapolis

En Orden de Aparición: Peruvian and Latin American Art of the Hochschild Collection, 2019, exhibition view at Real Academia de Bellas Artes de San Fernando Madrid Spain

Sacrosanctum, 2016, exhibition view at Oratorio di San Mercurio, Palermo, I

Emergency Pavilion: Rebuilding Utopia, collateral event at 55 International Art Exhibition la Biennale di Venezia, photo Renato Ghiazza

Us, 2011, installation view at Dublin Contemporary 2011

Tricky 09, 2011, balloons, barbed wire

Kerigma, 2010, installation view at Museo MADRE, Napoli
photo Amedeo Benestante

The Fear Society, Pabellón de la Urgencia. Murcia, 53 International Art Exhibition
la Biennale di Venezia

Because the life, 2008, legno, plexiglass, foto, cm 42x163x15

Biblioteca 01, 2008, legno, plexiglass, carta, cm 155x95x30

Brains, 2005, Exposition Universelle 1, Palais de Tokyo, Paris

Discrimination day, 2005, Exposition Universelle 1, Palais de Tokyo, Paris

The Bridge, 2004, exibition view at Théâtre National de Bretagne, Rennes