Nacquero a Napoli Improvvisandosi: Modelle – Cameriere – Manicuriste – Arciere – Motocicliste – Scassacazzo – Pazze – Artiste – Compagne e Scompagne (con Betty Bee, SAGG Napoli), 2024, curated by Milovan Farronato, exhibition view at zaza’, Milan, IT
Nacquero a Napoli Improvvisandosi: Modelle – Cameriere – Manicuriste – Arciere – Motocicliste – Scassacazzo – Pazze – Artiste – Compagne e Scompagne (con Betty Bee, SAGG Napoli), 2024, curated by Milovan Farronato, exhibition view at zaza’, Milan, IT
Nacquero a Napoli Improvvisandosi: Modelle – Cameriere – Manicuriste – Arciere – Motocicliste – Scassacazzo – Pazze – Artiste – Compagne e Scompagne (con Betty Bee, SAGG Napoli), 2024, curated by Milovan Farronato, exhibition view at zaza’, Milan, IT
GOAL!, 2023, exhibition view at Fondazione Morra Greco, Naples, IT
Betty Bee, Network, 2023, parte della mostra GOAL!, Fondazione Morra Greco, 2023, Ph Danilo Donzelli, Courtesy Fondazione Morra Greco
Vico delle fate, 2021, Installation view at NAJM. Stelle, terrazze, cortili e giardini curated by Maria Pia Incutti and Anna Fresa at the Fondazione Banco di Napoli, Naples, IT
Vico delle fate, 2021, Installation view at NAJM. Stelle, terrazze, cortili e giardini curated by Maria Pia Incutti and Anna Fresa at the Fondazione Banco di Napoli, Naples, IT
Che sarà sarà, 2023, curated by Stefano Collicelli Cagol with Michele Bertolino, exhibition view at Palazzo Re Rebaudengo, Guarene, IT
Second Life, 2014, exhibition view at Fondazione Morra Greco, Naples, IT
Second Life, 2014, exhibition view at Fondazione Morra Greco, Naples, IT
Second Life, 2014, exhibition view at Fondazione Morra Greco, Naples, IT
Second Life, 2014, exhibition view at Fondazione Morra Greco, Naples, IT
Second Life, 2014, exhibition view at Fondazione Morra Greco, Naples, IT
Loop Pool, 2022, White and yellow re ective paint with glass beads, environmental dimensions 1200 m, commissioned and produced by Pinacoteca Agnelli, Manufactured by IN.SI. CO., Moncalieri. photos by Sebastiano Pellion.
Loop Pool, 2022, White and yellow re ective paint with glass beads, environmental dimensions 1200 m, commissioned and produced by Pinacoteca Agnelli, Manufactured by IN.SI. CO., Moncalieri. photos by Sebastiano Pellion.
Interlude, 2021, exhibition view at Mediterranea Biennial 19 Photos by Thomas Montalti.
Interlude, 2021, exhibition view at Mediterranea Biennial 19 Photos by Thomas Montalti.
In Our Midst, 2021, cold porcelain, pigments, sound ecxiters and amplifier, exhibition view at Museo della Montagna, Torino, IT Photos by Mariano Dellago
In Our Midst, 2021, cold porcelain, pigments, sound ecxiters and amplifier
To Disturb Somnlent Birds, 2020, exhibition view at The Modern Institute, Glasgow, UK . Photos by Patrick Jameson
To Disturb Somnlent Birds, 2020, exhibition views at The Modern Institute, Glasgow, UK, Photos by Patrick Jameson
My Mouth in your Mind, 2019, exhibition view at Frutta Gallery, Rome, IT Performance by Eleonora Gusmano ph Roberto Apa
My Mouth in your Mind, 2019, exhibition view at Frutta Gallery, Rome, IT Performance by Eleonora Gusmano ph Roberto Apa
LISTENING POST Dalle pratiche di ascolto alla sound art, Installation view at Fondazione Bevilacqua La Masa, Venice, IT
LUCIFERASI, 2022, winner of the ALA Art Prize 2022, installation view at ALA, Naples, IT
Qualcosa nell’aria, 2022, group show at Fondazione Sandretto Re Rebaudengo, Turin, IT
Do Animals Go To Haeven, 2022, works from Collezione Agovino, installation view at Chiesa del Purgatorio, Matera, IT
Blind, 2021, realized for “MALACLIPTICOPTIROSI”, VinVin, Wien, AUT ph Flavio Palasciano
Ossicodone, 2020, realized for “Diversi”, curated by Daniela Zangrando, Museo Burel, Belluno, IT ph Francesco Titton
Inoculati, 2018, realized for “That’s IT! Sull’ultima generazione di artisti in Italia e a un metro e ottanta oltre il confine”, curated by Lorenzo Balbi, MAMbo, Bologna, IT, ph MaMbo
Chiamati alla veglia, trattennero il respiro, 2016, realized for “Dipartimento di Fisica dell’Università di Trento” in collaboration with Mart, Museo d’arte contemporanea di Trento e Rovereto, IT,
Nenia, 2016, realized for “Nenia”, curated by Daniela Zangrando, Museo Internazionale della Musica, Bologna, IT
Melisma, 2016, realized for “Altri tempi altri miti. 16° Quadriennale d’Arte”, curted by Marta Papini, Palazzo delle Esposizioni, Roma, IT ph OKNOStudio
Avorio, 2015, realized for “Control Mode Feedback”, curated by Elena Agudio e Michael Artz, Halle 14, Lipsia, DE, ph Kombinat
Device, 2014, realized for “AMADABLAM”, T293, Roma, IT
Untitled (From no part of me could I summon a voice), 2012, realized for “Paradossi”, curated by Angela Vettese, Ca’ Pesaro, Venice, IT
Elektronskal, 2012, realized for “Art or Sound”, curated by Germano Celant, Fondazione Prada, Venice, IT
Tarantolata, 2012, realized for “High Gospel”, curated by Ilaria Bonacossa, Museo Villa Croce, Genova, IT ph Nuvola Ravera
E13 000625, 2011, realized for “Talenti emergenti”, a cura di Fransiska Nori, Palazzo Strozzi, Florence, IT
Adunchi, 2010, realized for “Terre Vulnerabili”, curated by Chiara Bertola e Andrea Lissoni, Hangar Bicocca, Milan, IT
25L, 2010, realized for “21×21. 21 Artisti per il 21° secolo”, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino, Collezione Sandretto Re Rebaudengo, Turin, IT
LK100A, 2010, realized for “Art Public 41” Basel, CH
SHIFT, 2009, realized for “7° Premio Furla”, Fondazione Querini Stampalia, Venezia, Collezione Museo del Novecento, Milan, IT
Eprom, 2008, realized for ‘T2 – Torino Triennale. 50 lune di Saturno, curated by Daniel Birnbaum, Fondazione Sandretto Re Rebaudengo, Turin, IT
USB, 2007, realized for “Silenzio. Una mostra da ascoltare”, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Torino, Collezione AGI, Verona
Not titled (Circumstantial [12 coconuts]), 1971. Acrylic on unprimed canvas, coconuts, and rope, 150 x 150 x 25 cm. Installation view, Tropical Stories from Southeast Asia and Latin America, National Gallery Singapore, 2023. Image credit National Gallery Singapore.
Onceptuales. 2022, exhibition view at The Anderson, Virginia Commonwealth University, Richmond, US
Sur moderno: Journeys of Abstraction, 2019, exhibition view at MoMA, NY, US
Levanta el telón, 2017, exhibition view at LiMAC, Lima, curated by Antoine Henry Jonquères From left to right: Eugenio Espinoza, Jon Mikel Euba, Christian Bagnat, Sandra Gamarra
Retro/retrospective 1973/2016, exhibition view at Tenerife Espacio de las Artes, Spain photo Jaime Bravo
Retro/retrospectiva 1973/2016, performance at Tenerife Espacio de las Artes, Spain photo Jaime Bravo
Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio de las Artes, Spain. photo Jaime Bravo
Impenetrable with five points of view, 2005/2016, installation view at Tenerife Espacio de las Artes, Spain. photo Jaime Bravo
The Three Graces, 1977/2016, interactive installation at Tenerife Espacio de las Artes, S photo Jaime Bravo
Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl
Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl
Unruly Supports 1970-1980, 2015, exhibition view at Perez Art Museum Miami, Fl
Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl
Toda Percepción es una Interpretación: You are Part of It, 2007, installation view at Cisneros Fontanals Art Foundation, Miami, Fl
—CV —Exhibition and events NaOH — 7 June 2018 Processo alla Natura — 13 April 2018 group show at Spazio Maria Calderara, Milano Francesca Grilli — ring, ring, ring — 4 July 2017 — Riot studio, Napoli Anger — 12 March 2015 —Works
Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Isadora Neves Marques, Vampires in Space and Other Fiction, 2024, curated by Mitsuhiro Kishimoto Exhibition views at Kyoto City University of Arts Art Gallery. Courtesy of Kyoto City University of Arts ph Takeru Koroda
Vieilles coques & jeunes récifs (Old Hulls & Young Reefs), 2024, curated by Céline Poulin and Alicia Reymond, exhibition views at Les Réserves, Romainville, Paris, FR
Rhizome – Network Without Center Point, 2024, group show curated by Seolhui Lee at Kunsthal Aarhus, Aarhus, DK
Rhizome – Network Without Center Point, 2024, group show curated by Seolhui Lee at Kunsthal Aarhus, Aarhus, DK
Antéfutur, 2023, group show curated by Sandra Patron at Capc Musée d’art contemporain de Bordeaux, Bordeaux, FR
Think Tank: REPRODUCTIVE AGENTS, 2023, group show curated by Florencia Cherñajovsky at Museo MADRE, Naples, IT
Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT
Che cos’è l’intelligenza naturale?, 2023, curated by Matilde Galletti at Palazzo Falconi, Fermo, IT
Android Loop, 2023, Art Basel Hong Kong, HKECC, HK ph Michele Galeotto
Shéhérazade, at night, 2022, curated by Yoann Gourmel at Palais de Tokyo, Paris, FR
Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza
Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza
Vampires in Space, 2022, Official Portuguese Representation at the 59th International Art Exhibition – La Biennale di Venezia, curated by João Mourão and Luís Silva, Venice, IT – ph Renato Ghiazza
Middle Ages, 2021, installation view at Exhibition of 21 Artists shortlisted for the Future Generation Art Prize, Pinchuk Art Centre, UKR
Installation view of Medieval Bodies, 2021, curated by Luís Silva at Galerias Municipais de Lisboa, PT ph Bruno Lopes
Medieval Bodies – Meat is Not Murder, 2021, with HAUT, installation view at Liverpool Biennial 2021, curated by Manuela Moscoso
Medieval Bodies – Meat is Not Murder, 2021, with HAUT, installation view at Liverpool Biennial 2021, curated by Manuela Moscoso
YWY, Visions, 2021, curated by Rosa Lleó, exhibition view at CaixaForum, Barcelona, ES
Installation view of YWY Visions, 2021, curated by Rosa Lleó at CA2M, Madrid, SP ph Sue Ponce Gomez
Linnaeus and the Terminator Seed, 2017, installation view at High Line, 2020, New York, US
Becoming Male in the Middle Ages, 2019, installation view at Castello di Rivoli (TO), Italy
It Bites Back, 2019, (featuring music by HAUT), exhibition view at Gasworks ph Andy Keate
A Mordida, 2018, exhibition view at Pérez Art Museum Miami (PAMM) curated by Jennifer Inacio.
Present Future project at Artissima, 2018. Winner of the 18th edition of the illy Pesent Future Prize. photo Renato Ghiazza
Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato
Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato
Learning to Live with the enemy, 2017, exhibition view at Museu Coleção Berardo, Lisbon, curated by Pedro Lapa, photo credit David Rato
The winter of our discontent, 2016, exhibiton view at Galerie Martin Janda, Wien – photo Markus Wörgötter / The Pudic Relation Between Machine and Plant, 2016, 2 min. 30 sec., video loop, sound
Environments, 2013, with Mariana Silva, exhibition view at e-flux, New York
Monitors loop system: Fuzzy Logic I, 2013, Untitled (Sinkhole), 2013, Beams of Cathodic Rays Shooting, 2013, and Hoods Up! (Every Participant’s Dream of Violence), 2012 exhibition view at e-flux, New York
Environments, 2013, exhibition view including Chester, by Quasar Khan (1934-), at e-flux, New York
The Integration Process, 2012, exhibition view at Parkour, Lisboa
The Economist/A Decade, 2012, magazines dated 1999-2011, cm 27×40.5 each
In order of appearance, 2017, exhibition view at Galeria Pedro Cera, Lisbon, P
Magicians’ Right Hand, 2016, curated by Markéta Stará Condeixa, exhibition view at FUTURA, Prague, CZ
menthol 2016, exhibition view with Pedro Henriques, Ar sólido, Lisbon
2015, group show at Schwarz Contemporary, Berlin
Correr à volta, 2015, walls and ceiling, Capo d’Orlando beach stones on ruins, mural view at La Stanza della Seta, Museo Lucio Piccolo, Ficarra, Sicily, I
Through painting, 2015, exhibition view with Marc Breslin at Fondazione Rivolidue, Milano
Through painting, 2015, exhibition view at Fondazione Rivolidue, Milano
wet wet sunset ear on a wall, 2015, exhibition view with Johana Pošova, Syntax, Lisbon, P
Somos nada / Concha relógio, 2015, chalk on wall
Sereia, 2014, exhibition view at Museu Nogueira da Silva, Braga, Spain
Z, 2013, exhibition view at Galeria Pedro Cera, Lisboa
Gothic, 2012, group show at Parkour, Lisboa
Crystal Frontier, 2012, exhibition view at Enblanco Projektraum, Berlin
The sun dies soon, 2009, exhibition view at Pavilhão Branco, Lisboa
West, 2023, exhibition view at MANN – Museo Archeologico Nazionale di Napoli, Naples, IT
Rivoluzioni, 2022, exhibition view at BASE / Progetti per l’arte, Firenze, IT ph Leonardo Morfini,
Il Corsaro Nero e la vendetta del Gavi – Una mostra, una performance, un’installazione, 2019, curated by Ilaria Bonacossa, exhibition view at Forte di Gavi, IT
Panorama, 2017, exhibition view at Fotomuseum Winterthur CH
Panorama, 2016, exhibition view at Camera, Torino, curated by Francesco Zanot
American Recordings, 2015, film, HD, 20′, installation view at Castello di Rivoli, Torino
American Recordings, 2015, film, HD, 20′, installation view at Castello di Rivoli, Torino
La notte del Drive in: Milano spara, 2013, ex shed Alfa, Milano, Italy
La notte del Drive in: Milano spara, 2013, film 38′
Venezia/The Precursors Lagacy, 2013, Casa dei Carraresi, Treviso
Prado:Spectaculum Spectatoris,2011,video installation at Museo Nacional del Prado,Madrid
The Morocco Affair. New Entries!, 2009–2010, exhibition view at Museion, Bolzano
I can see your house from here, 2009, Museion at the Eurac Tower, Bolzano
The Room. Da Guarene all’Etna 1999–2009, Fondazione Sandretto Re Rebaudengo, Guarene d’Alba
Secret Traces, 2009, exhibition view at Universitad de Colombia, Bogotà
vedovamazzei, 2021, exhibition view at Palazzo Brancadoro – Case Museo di Fermo, Fermo, IT ph Francesca Renzi
vedovamazzei, 2021, exhibition view at Palazzo Brancadoro – Case Museo di Fermo, Fermo, IT ph Francesca Renzi
Black & Lights, 2019, exhibition view at Base | Progetti per l’arte, Firenze, IT
vedovamazzei presenta Boccioni, 2018, neon light, cm 710×178, Public Work at Cittadella degli Archivi, Milano
After After Love, 2017, Da Duchamp A Cattelan. Arte contemporanea sul Palatino, Roma
UN united nothing(Srebrenica quote 1994),2015,site specific at Certosa di S.Giacomo,Capri
La fine di un lavoro mai fatto, Non basta ricordare, 2014, performance at Maxxi Museum, Roma
One too many (3) 18 years later, performances 1996/2011/2014, Paris
No necesita suerte, 2012, exhibition view at Istituto Italiano de Cultura, Madrid
Ash, 2011, mixed ash, oil on glass and paper, cm 37,5 x 31 x 5, cm 37,5 x 38 x 5
Exhibition view Dublin Contemporary 2011, curated by Jota Castro and Christian Viveros – Photo Renato Ghiazza
Next to normal, 2010, neon light, black paint, cm 139 x 250
Wireless, 2008, 50 neon lights, cm 600 x 220 Collection MAMBO Bologna
After love, 2003, mixed media, cm 760 x 680 x 380 Public Art Project, 2007, Art Basel
Greatest hits, 2006, exhibition view at Museo MADRE, Napoli
Communist’s laugh, 2007, charcoal on paper, cm 210 x 300 – cm 165 x 261
They want to be Famous, 2008, divano, luce al neon, cm 190 x 90 x 85
Go whereever you want, bring me whatever you wish, 2000 – GAM, Torino – articulated lorry, wood, rubber, water plants, water lilies, boat, oars, wooden pier, aluminium ladder, cm 400 x 1675 x 250
Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT
Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT
Calor, 2023, curated by Ines Grosso, exhibition view at SERRALVES Museum, PT
VERTIGINE, 2022, Installation view Museo d’arte contemporanea Burel, Belluno, IT Ph Francesco Titton.
Do Animals Go To Haeven, 2022, works from Collezione Agovino, installation view at Chiesa del Purgatorio, Matera, IT
Installation view at Liverpool Biennial 2021, curated by Manuela Moscoso ph Rob
Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes
Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes
Fauna, 2019, exhibition view at Museu Coleção Berardo, Lisboa, curated by Pedro Lapa, photo credit Bruno Lopes
Fruits and Flowers, 2018, exhibition view at Vera Cortês gallery, Lisbon. photo Bruno Lopes
Ways of the land, 2017, exhibition view at Maisterravalbuena, Lisboa curated by João Mourão and Luís Silva, photo: Bruno Lopes
The monster dresses in Mirrors, exhibition view at Syntax, Lisbon
The monster dresses in Mirrors, 2016, detail, exhibition view at Syntax, Lisbon
Magicians’ Right Hand, 2016, curated by Markéta Stará Condeixa, exhibition view at FUTURA, Prague, CZ
Beauty Codes (order/disorder/chaos) – Act II, 2015 exhibition view with works by André Romão, Jacopo Miliani and Haris Epaminonda at Kunsthalle Lissabon, Lisbon, P. Photo: Bruno Lopes
Beauty Codes (order/disorder/chaos) – Act II, 2015 exhibition view at Kunsthalle Lissabon, Lisbon, P. Photo: Bruno Lopes
Ficarra_Contemporary Divan, 2015,exhibition view at Palazzo Milio, Ficarra, ME, I
Restless, 2015, exhibition view at Vera Cortês Gallery, Lisbon, P
Iron, Flesh, Abstraction, 2015, installation view at The Green Parrot, Barcelona
Informal Inclusion, 2024, Italian Pavilion at malta.biennale, curated by Francesca Guerisoli and Nicolas Martino at Villa Portelli, Kalkara, MT photo Lorenzo Morandi
Informal Inclusion, 2024, Italian Pavilion at malta.biennale, curated by Francesca Guerisoli and Nicolas Martino at Villa Portelli, Kalkara, MT photo Lorenzo Morandi
ATOPOS, 2023, solo exhibition curated by Lucrezia Longobardi at The Drawing Hall, Bergamo, IT ph Walter Carrera
ATOPOS, 2023, solo exhibition curated by Lucrezia Longobardi at The Drawing Hall, Bergamo, IT ph Walter Carrera
MARSHY, 2022, site-specific environmental artwork, winner of the 20th Ermanno Casoli Prize curated by Marcello Smarrelli, Castelfidardo, IT
MARSHY, 2022, site-specific environmental artwork, winner of the 20th Ermanno Casoli Prize curated by Marcello Smarrelli, Castelfidardo, IT
Do Animals Go To Haeven, 2022, group show with works from Collezione Agovino, exhbition view at Chiesa del Purgatorio, Matera, IT ph Danilo Donzelli
MARGINAL CARILLON, 2023, Eugenio Tibaldi and Taketo Gohara, curated by Irina Zucca Alessandrelli, BASE Milano, Milan, IT
Temporary Landscape, Erbari, Mappe, Diari, 2021, curated by Marco Scotini at PAV – Parco d’Arte Vivente ph Agostino Osio
Temporary Landscape, Erbari, Mappe, Diari, 2021, curated by Marco Scotini at PAV – Parco d’Arte Vivente ph Agostino Osio
Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT ph Lorenzo Morandi
Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT
Architetture dell’isolamento, 2021, curated by Angel Moya Garcia, exhibition view at Dello Scompiglio, Capannori, Lucca, IT ph Lorenzo Morandi
Anthropogenic Connection, 2020, curated by Meskerem Assegued and Adriana Rispoli, Zoma Museum with the support of Italian Cultural Institute of Addis Ababa
Notturno con figura Primo corollario sulla vibrazione, 2020, curated by Lucrezia Longobardi exhibition view at La Galleria Nazionale d’Arte Moderna e Contemporanea, Roma, IT ph Anton Giulio Onofri
Notturno con figura Primo corollario sulla vibrazione, 2020, curated by Lucrezia Longobardi exhibition view at La Galleria Nazionale d’Arte Moderna e Contemporanea, Roma, IT ph Anton Giulio Onofri
Giardino abusivo, 2019, installation view at Museo del Novecento, winner of After Leonardo Prize, Milano, IT ph U. Armiraglia
Giardino abusivo, 2019, installation view at Museo del Novecento, winner of After Leonardo Prize, Milano, IT ph U. Armiraglia
30 Years Old, a project of Eugenio Tibaldi, 2019, realized by Istituto Italiano di Cultura di Tirana in collaboration with l’Università delle Arti and Harabel Contemporary Art Platform, Galleria FAB, Tirana, AL
Più là che Abruzzi, 2019, exhibition view at MuMi – Museo Michetti, Francavilla al Mare CH curated by Simone Ciglia, ph credit Gino Di Paolo
Inclusio, 2018, exhibition view at Centro Italiano di Documentazione sulla Cooperazione e l’Economia Sociale, Bologna, I
Hämatli & Patriæ, 2017, exhibition view at Museion-museo d’arte moderna e contemporanea, Bolzano, curated by Nicolò Degiorgis
Flatlands, 2017, exhibition view at Museum of Contemporary Art & Design, Manila, Philippines
Now Here is Nowhere Sei Artisti della American Academy in Rome, 2017, exhibition view with Jackie Saccoccio at Istituto Italiano di Cultura, New York
Architettura minima, 2016, exhibition view at Palazzo Caracciolo, Napoli photo A.Benestante
Seconda chance, 2016, exhibition view at MEF_Museo Ettore Fico, Torino – photo_bg
Seconda chance, 2016, exhibition view at MEF_Museo Ettore Fico, Torino – photo_bg
New Informal Museum’s Room, 2016, exhibition view at Complesso Monumentale del S.Giovanni, Catanzaro, I
Capri B&B-Behind and Beyond,2016,exhibition view at Certosa di San Giacomo, Capri, I
questione d’appartenenza, 2016, Museo Madre, Napoli
The identity of concrete, 2015, original projects on tracing paper of the Mondadori cut and sewed, cm 260x350x15, on loan to Museo Madre, Napoli, I, (Per_forming a collection #4)
Cuba Informal Poker Room, 2015, performance at Bienal de La Habana, Cuba
Geografia economica 011, 2014, exhibition view at Galleria d’Arte Contemporanea “Osvaldo Licini”, Ascoli Piceno, Italy – photo Pierluigi Giorgi
Transit 4, 2010, exhibition view at Museo MADRE, Napoli, Italy
Economy Expressway, 2009, paint, fotogrammetria satellitare, m 2,02 x 12 installation view at Metro Napoli
Separate and Complex Bodies, Sophisticated Interactions, and Unfathomable Lives, 2023, KCI | Kansas City International Airport
You Still Make Me Tremble, 2021, installation view at MMoCA, Madison Museum of Contemporary Art, US
The Wandering Rocks, 2020, site-specific project at MMoCA, Madison, Wisconsin, US
Gos Sa Mer:2012, exhibition view with Ester Partegàs at The Lynden Sculpture Garden, Milwaukee
The Outhouse, 2011, exhibition view at Green Gallery East, Milwaukee
En la bruma de lavanda, 2011, exhibition view at Galeria Labor, Mexico
7 Variation On You Can’t Always Get What You Want with Martin Ayos, 2010 exhibition view at Salina Art Center, Salina, Kansas
Pleathers, 2010, exhibition view at Huret Gallery, Emerson College, Boston
Whose_afraid_of_red,yellow,blue_ELECTIONEERING(an_anarchist_a_communist_and_a_ social_conservative) 2009, installation view at Fort Worth Art Center Texas
The black car and green waters of Lethe, 2008, exhibition view at LOOCK Galerie, Berlin
On site: Santiago Cucullu (MF Ziggurat), 2008, installation view at Milwaukee Art Museum
Architectonic vs. H.R., 2006, installation view of the exhibition “New Perspectives in Latin American Art, 1930-2006: Selections from a Decade of Acquisitions” at MoMA – The Museum of Modern Art, New York, US Photo Jonathan Muzikar
Installation view of Whitney Biennial 2004 (Whitney Museum of American Art, New York, May 11, 2004–May 30, 2004). Santiago Cucullu, Untitled, 2004. Photograph by Jerry L. Thompson
Entrance into Otherwise aka Otherwise Enter 2002, Installation view at Walker Art Center, Minneapolis
En Orden de Aparición: Peruvian and Latin American Art of the Hochschild Collection, 2019, exhibition view at Real Academia de Bellas Artes de San Fernando Madrid Spain
Sacrosanctum, 2016, exhibition view at Oratorio di San Mercurio, Palermo, I
Emergency Pavilion: Rebuilding Utopia, collateral event at 55 International Art Exhibition la Biennale di Venezia, photo Renato Ghiazza
Us, 2011, installation view at Dublin Contemporary 2011
Tricky 09, 2011, balloons, barbed wire
Kerigma, 2010, installation view at Museo MADRE, Napoli photo Amedeo Benestante
The Fear Society, Pabellón de la Urgencia. Murcia, 53 International Art Exhibition la Biennale di Venezia
Because the life, 2008, legno, plexiglass, foto, cm 42x163x15
Biblioteca 01, 2008, legno, plexiglass, carta, cm 155x95x30
Brains, 2005, Exposition Universelle 1, Palais de Tokyo, Paris
Discrimination day, 2005, Exposition Universelle 1, Palais de Tokyo, Paris
The Bridge, 2004, exibition view at Théâtre National de Bretagne, Rennes
Instalation view at CONTRORA EP. I, group show with Jon Rafman, Sara Sadik, Amalia Ulman, curated by Like a little disaster at Palazzo San Giuseppe, Polignano a Mare, IT ph
Gatto Magico, 2021, iron and bronze realized on occasion of Gatto Magico at Museo Burel, Belluno, IT ph Francesco Titton
AGAINandAGAINandAGAINand, 2020, curated by Lorenzo Balbi, installation view at MAMbo – Museo d’Arte Moderna di Bologna, IT – ph Giorgio Bianchi
AGAINandAGAINandAGAINand, 2020, curated by Lorenzo Balbi, installation view at MAMbo – Museo d’Arte Moderna di Bologna, IT – ph Giorgio Bianchi
Sublimi Anatomie, 2019, curated by Andrea Carlino, Philippe Comar, Anna Luppi, Vincenzo Napolano, Laura Perrone, installation view at Palazzo delle Esposizioni, Roma, IT
Eternal Digestion, 2018, at 67 Steps curated by Ana Iwataki and Marion Vasseur Rally, Los Angeles
Club Nature, 2017, exhibition view with Miriam Cahn at Une une une, Perpignan, France, curated by Constance Barrère Dangleterre
Snake, Rice, Food Outlets, 2016, exhibition view at JupiterWoods, London
Horse, Agricultural apocalypse/Melancholy by the man who thinks to the tree (Pier delle Vigne), 2016, bronze
Histoire Naturelle 2, 2016, exhibition view at Tunnel Tunnel, Lausanne
Nel mezzo del mezzo, 2015,curated by Christine Macel,Marco Bazzini,Bartomeu Mari, exhibition view at Museo Riso, Palermo
Beauty Codes (order/disorder/chaos) – Act II, 2015 exhibition view with works by Luca Francesconi, Daniel Steegmann Mangrané and Haris Epaminonda at Kunsthalle Lissabon, Lisbon, P. Photo: Bruno Lopes
Nightmare carboydrates, 2015, exhibition view at Tonus, Paris
Nightmare carboydrates, 2015, exhibition view at Tonus, Paris
Echo of the moon, 2012, exhibition view at Crac–Alsace, Altkirch, France
Echo of the moon, 2012, detail
Europa 3000, 2011, installation view at at 54th International Art Exhibition la Biennale di Venezia
Colosso fluviale, 2010, installation view at Fondazione Sandretto Re Rebaudengo, Torino
Guardiano delle acque, 2009, installation view at Present Future, Artissima 16, Torino Winner of Illy Prize
